Director:
Olivia NewmanGuión:
Lucy AlibarCámara:
Polly MorganMúsica:
Mychael DannaReparto:
Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, David Strathairn, Michael Hyatt, Sterling Macer Jr., Logan Macrae, Bill Kelly, Ahna O'Reilly (más)Streaming (5)
Sinopsis(1)
La Chica Salvaje cuenta la historia de Kya, una niña abandonada que se crió hasta la edad adulta en los peligrosos pantanos de Carolina del Norte. Durante años, los rumores de la "Chica del pantano" rondaron a Barkley Cove, aislando a la astuta y resistente Kya de su comunidad. Atraída por dos jóvenes de la ciudad, Kya se abre a un mundo nuevo y sorprendente; pero cuando uno de ellos es encontrado muerto, la comunidad inmediatamente la señala como la principal sospechosa. A medida que se desarrolla el caso, el veredicto sobre lo que realmente sucedió se vuelve cada vez más confuso y amenaza con revelar los muchos secretos que yacen en el pantano. (Sony Pictures Esp.)
(más)Reseñas (4)
Such is the kind of story where you know that everything is as it should be. The fateful story of the main character living somewhere in the middle of the swamps is imbued with a lifelong trauma, from which the plot itself unfolds. By the way, a very nicely told story. The historical setting of North Carolina was very beautifully portrayed, and watching the swamps was truly an experience. Generally, I like stories of outcasts. Stories of people whom no one likes for some actually unknown reason (often just because they are different from the surrounding society), but reality is often completely different. Where the crawdads sing is definitely worth watching. One of the most interesting filmed American dramas of recent years.
()
It could have been a much better film if it didn't look like a travel agent's catalogue full of beautiful corners and clean-cut gorgeous people. In short, if it had an atmosphere like True Detective, In the Electric Mist or Just Cause. But in this rendition, the story, which was interesting and not hindered by the sugary romance, was hardly believable at all.
()
Where the Crawdads Sing captivates the viewer firstly with its beautiful scenery of vast swamps and secondly with its story, although it felt like a romance novel at times. Alongside the sharp David Strathairn and the sleazy Harris Dickinson, I was drawn to the hitherto unknown Daisy Edgar-Jones, who was the perfect embodiment of wild innocence (or innocent wildness). In addition to the crime and love story plots, I was intrigued by the nature illustration line (I immediately thought of the documentary Birds of America). In the end, the film may seem like an over-sweetened fairy tale, but even such stories can appeal to me.
()
Wow. At first Where the Crawdads Sing appears to be a courtroom whodunit, but it very quickly switches to pure story-drama, which at first I didn't find very fortunate, but I soon found that the story is so strong and so clearly drawn that after watching it I feel like I've known the main character for years. And that's an emotion I don't get during the vast majority of movies. Here we have the basic premise of a "guess what happened" trial backed by a chillingly told story set in a visual feast in the swamps, with an excellent lead actress and a roller coaster of emotions. In the finale we also get a dense trial and an atmospherically powerful verdict, and as much as I didn't like the final five-minute epilogue with the aging characters, or rather it was redundant and unnecessary, the final twist in the last few seconds brought me to my needs. Solid filmmaking and exactly the kind of film for all types of viewers.
()