Director:
Moritz MohrCámara:
Peter MatjaskoMúsica:
Ludvig ForssellReparto:
Bill Skarsgård, Jessica Rothe, Michelle Dockery, Brett Gelman, Isaiah Mustafa, Andrew Koji, Famke Janssen, Sharlto Copley, Yayan Ruhian, Quinn Copeland (más)Sinopsis(1)
El joven sordomudo Boy (Bill Skarsgård) decide enfrentarse a la matriarca de la familia Van Der Koy, una desquiciada dinastía que tiene a toda la población sometida bajo su yugo. Tras vivir una trágica infancia, un enigmático chamán le ha convertido en un instrumento de venganza listo para hacer justicia. Para llevar a cabo su cometido, Boy se unirá a un peculiar grupo de rebeldes que desean acabar con el sistema corrupto que domina la sociedad. ¿Una misión suicida? Boy está más que preparado para una buena dosis de acción y ultraviolencia. (DeAPlaneta)
(más)Videos (10)
Reseñas (5)
El inicio es muy prometedor. Algunas ideas sobre la percepción del mundo que rodea al personaje principal sordomudo son bastante divertidas, aunque la película no intenta trabajar con ellas de manera inteligente. Del mismo modo, los creadores no intentan construir un mundo complejo, por lo que todo el mundo interior parece tan superficial como el nivel de un juego arcade (quizás esa era la intención), además de poblar la trama con villanos completamente inútiles, molestos y sin motivación alguna (quizás no era la intención) y pronto se sumergen en escenas de acción muy repetitivas sin ninguna sustancia (seguramente no era la intención). La película se mata a sí misma con un giro en el último cuarto, que pone todo lo sucedido hasta entonces de cabeza y comete el engaño más barato con el espectador que se puede imaginar. Ya no se trata de ser sorprendentemente con estilo, simplemente es un trabajo desesperado con el guion. Y desafortunadamente, el resto no es ni de lejos tan emocionante y genial como intenta ser, para que una persona pueda perdonarlo con ambos ojos cerrados.
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New King's / Bachman's Running Man, only with a troubled family history, surprisingly functional and strong twists, and with a confessed concentration disorder. For a long time it is mainly about bloody satire with plenty of jokes and a high cadence of lines, but only during the final sobriety and in the uncompromising final duel I was sitting in the chair so firmly attached that I would prefer to stay in it for another screening.
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A bit of a disappointment for me, only the awesome finale pulls it up to a higher rating, but otherwise a bit of a letdown. The light-hearted concept bothered me a bit, unfortunately it isn't very funny and most of the actors overact disgustingly theatrically (Andrew Koji downright pissed me off here and doesn't perform anything). I was also quite bothered by Bill Skarsgård's inner voice and the humour was surprisingly lacking, but the action scenes were good, there’s a decent portion of gore, where heads and limbs are not spared. But then comes the finale, where the final 2 in 1 fight is the new ceiling of the action genre!! It was a like out of The Raid 2, with top choreography, nice slow-motion shots, fatalities; it made me scream and sweat like few have done before, this scene will definitively be in the TOP 10 fights on YouTube. 70%
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This hammy romp about a deaf and dumb killer who has to overthrow a totalitarian regime spares no expense with absurd scenes, black humour and incredible action that combines the best of The Raid with childish imagination and naivety. The self-parody sequences where the protagonist tells the story in a video game voice, doesn't understand a mumbling comrade or sees things that can't exist in the real world get a heavy kick in the balls at the end. The film delivers not one but two switcheroos and becomes a heavy existential drama that turns the previous course on its head. An original fun flick with a great Bill Skarsgård and a godlike Sharlto Copley that bends the rules of the genre, clumsily, but enough to push them in the right direction. The best weapon is the grater, and macaroons are the food of the gods. P.S: Yayan Ruhian reprises the bloody finale from The Raid 2.
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I applaud! For a director and cinematographer who aren't seasoned stars in their field, they did a great job! Boy Kills World takes the action one-man carnage from John Wick, brisk meme sequences from Kingsman, the occasional geek visuals from Scott Pilgrim vs. The World and the Tarantino style of narrative from Kill Bill, and I must say that if you free yourself from any sort of "believability" and purely enjoy this action packed R-rated flick, you will be more than satisfied! Because this is a nonstop brawl with blown heads, hectolitres of blood, a fine story and main character and plenty of humour and as a whole it works perfectly. There's even a 2v1 final boss fight and that rounds off this ride more than perfectly. I have to say I have no idea what everyone has such a problem with, because I had an amazing time and I would recommend this whole colourful carnage with perfect and clear cinematography to all genre fans with absolutely no qualms.
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