Director:
Makoto ShinkaiGuión:
Makoto ShinkaiCámara:
Ryôsuke TsudaReparto:
Hokuto Matsumura, 原菜乃華, Eri Fukatsu, Hakuô Matsumoto II, Shōta Sometani, Sairi Itoh, 花瀬琴音, Kana Hanazawa, Ryūnosuke Kamiki, Aimi, Takara Hachiya, Ann Yamane (más)Streaming (2)
Sinopsis(1)
Mientras el cielo se tiñe de rojo y la tierra tiembla, Japón se encuentra al borde del desastre. Pero una adolescente decidida, Suzume, emprende una misión para salvar a su país. Capaz de ver las fuerzas sobrenaturales que otros no pueden, dependerá de ella el cerrar las misteriosas puertas que siembran el caos por todo el país. Le espera un peligroso viaje en el que el destino del país está en sus manos. (Sony Pictures Esp.)
(más)Reseñas (5)
Una road-movie de fantasía visualmente impresionante y ligeramente romántica a través del campo japonés y las grandes ciudades, en la que un plano mitológico lleno de ideas mágicas e inspirado en desastres naturales japoneses reales se encuentra con una historia civil y cargada de emociones sobre la adolescencia, el amor platónico comprometido, el sentimiento de culpa y la paternidad. Makoto Shinkai sigue haciendo lo que ha hecho siempre sin dar la impresión de repetirse. Los personajes escritos con honestidad, así como muchos detalles graciosos y un humor sutil, añaden una sorprendente profundidad a la narración de fantasía. Hay demonios que despiertan en nosotros pensamientos reprimidos, gatos traviesos que se deleitan con la destrucción, el descapotable con el techo roto más divertido y también la mejor silla de tres patas de la historia del cine.
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It’s been ages since I last watched an anime, but the Karlovy Vary Festival convinced me to give Suzume a shot, and I’m glad I did. I'm not a hardcore anime fan; I know who Hayao Miyazaki is, and I’ve seen some cyberpunk stuff, but this was something different. The beautiful animation pulls you into modern-day Japan, blending mythology with action, emotion, and suspense. And boy, do the Japanese know how to crank up the emotions! It's a mix of beautiful, sometimes adorable moments with an emotional rollercoaster that leaves you reeling. Suzume is a wonderfully crafted anime. If it weren't for the over-the-top romantic subplot, I’d easily give it a five-star rating.
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An anime road movie about a journey through Japan from the south to the north and about meeting people and the adolescent self-discovery of a girl who doesn't quite know what to do with herself, her emotions and her loved ones. And by the way, in the second mythological plane, it's about fighting earthquake-causing giant tentacles, and that is the biggest problem with the film. On one level, it is melancholically intimate and relies on characters and emotions. On on the other, it's overwrought, especially during the monumental finale, which, however, doesn't clash with the rest of the film in style and delivery at all. And so, rather than the fight over the fiery plains, the most impressive thing in the finale is the emotional “passing of the wooden chair”.
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I'll be brief, as much has already been said. At first, I couldn't take my eyes off the screen; seeing the work of Makoto Shinkai on the big screen was amazing. All those details, panoramas, and colors stood out beautifully. The music was also fantastic, whether it was the great central theme or the accompanying tracks. I enjoyed even the songs that Serizawa played in the car. The humor also worked for me; the characters seemed interesting and likable enough. The story might not be the strongest one that Makoto Shinkai has produced. I had more intense experiences with Your Name, but Suzume is still one of his best films. Although I found the ending a bit awkward, it was still relatively satisfying. However, what I enjoyed the most were the journeys across Japan and all those exciting but abandoned places. Unlike Suzume, I wanted to adopt that "restless white cat"... 8.5/10.
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A riveting spectacle. Action-packed, but also sensitive, unexpectedly impressive and moving in the end. And always entertaining. The kind of film that almost makes you forget it's "just" animation.
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