Director:
James MangoldCámara:
Phedon PapamichaelMúsica:
T Bone BurnettReparto:
Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick, Dallas Roberts, Dan John Miller, Larry Bagby, Shelby Lynne, Tyler Hilton (más)Streaming (5)
Sinopsis(1)
Biopic sobre el cantante Johnny Cash. Cantante. Rebelde. Fuera de la ley. Héroe. Con sus acordes impetuosos como un tren de mercancías, la intensidad de su mirada acerada y una voz oscura como la noche, el legendario 'hombre de negro' revolucionó la música y forjó su estatus de auténtico ídolo norteamericano. (20th Century Fox España)
Videos (1)
Reseñas (12)
Vynikající zpracování životních osudů Johnnyho Cashe. Vůbec se mi do toho nechtělo, protože jeho písničky neposlouchám, ale překonal jsem se a jsem tomu rád. Joaquin Phoenix je fenomenální, stejně jako Reese Whiterspoon. On měl smůlu, že na Oscarech byla toho roku obrovská konkurence. Bravo, bravo, bravo.
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Película musical biográfica de tipo Ray pero no tan hollywoodiense y un poco más honesta y abreviada. Y eso es bueno. Más, el gran dúo Joaquin Phoenix y Reese Witherspoon. Ojalá empezaran a hacer películas con el mismo amor sobre directores más cercanos a mí que los músicos...
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I guess I've waited too long, because I've been sucked in a lot by various biographies or other films from the country and early rock and roll scene. I no longer see Walk the Line as above average anymore. I'm more bothered by the fact that the filmmakers only chose the romance with his second wife June from Johnny Cash's biography. It may have been enough for Oscar-winning performances by Joaquin Phoenix and Reese Witherspoon, but it said almost nothing about the breadth of the phenomenon.
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I first met Johnny Cash on U2's “Zooropa” while listening to the last song he sang with his beautiful deep voice (which Joaquin Phoenix also possesses), and although his work is not my cup of tea, he certainly deserved "his" movie for the inspiration that many music personalities, not only country but also rock, credit him with. Thankfully, Walk the Line isn't a boringly descriptive story, despite spanning a several eras, the viewer doesn't really learn much about Cash's achievements and work (which may disappoint die-hard fans), but the story focuses intimately on the formation of his relationship with his future wife June Carter (a sweetly vital Reese Witherspoon) and his almost obsession with her, showing his addiction to pills and his lifelong struggle to cope with the death of his brother. Joaquin not only sings beautifully and I believed his every move with the guitar in his hand, and his tormented look with the inner demons in his eyes, which he was constantly fighting with, was Oscar-worthy. Likewise Witherspoon, with the body of a fragile little bum, but the character of a strong woman and Cash's redeeming angel. The only thing that separates this film from 5* is the absence of a really strong scene that would be indelibly etched in my memory, except perhaps for a punishingly brief moment depicting a concert in Folsom Prison that gave me goosebumps.
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Some movies will thoroughly change you, even with a proper distance. I mocked the country music while I was watching it and pretty much ignored Reese Witherspoon, but then everything was suddenly different after I saw it. Although I don't actively listen to Johnny Cash, I took to heart all the life warnings that Walk the Line subtly piles on one after another, and (however pathetic it may sound) I would like to believe that they helped me several times to take the right turn at the most important crossroads. This biographical spectacle is not among my top ten, nor even among my top fifty. And yet there is so much truth in it regarding temptations, difficult decisions, love, and career, that at one point I even put Joaquin Phoenix's portrait from the hand-drawn poster as my profile picture – and I have kept it there until today. A personal film in the most obvious sense of the word.
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