Director:
Beeban KidronCámara:
Adrian BiddleReparto:
Renée Zellweger, Hugh Grant, Colin Firth, Jim Broadbent, Gemma Jones, Jacinda Barrett, James Callis, Shirley Henderson, Sally Phillips, Neil Pearson (más)Streaming (3)
Sinopsis(1)
Bridget Jones ya es feliz: vive con el apuesto Mark Darcy y ha dejado al cretino de su ex-jefe Daniel. Lo malo es que Rebeca, estropea su relación con Mark. Tampoco le van bien las cosas en el trabajo, pero lo peor de todo es lo que le ocurre durante un viaje a Tailandia. No obstante, como siempre, sigue contando con el apoyo de sus amigos que la animan a conocer gente nueva. Pero, ¿quién sabe si Bridget no estará pensando en volver con Daniel. (Universal Pictures España)
(más)Reseñas (8)
The curse of sequels to successful films has manifested itself in our Bridget Jones. It's nothing like the first one, but... I certainly don't mean to disparage or condemn this sequel, because our awkward damsel in distress hasn't lost an ounce of her elegance and wit. Once again, I laughed from the heart and not from compulsion. There were no awkward or disgusting scenes, so typical British comedy at its best. The old cast returned and entertained once again and once again there was no lack of an unmistakable and well chosen soundtrack. In short, fun fun fun ... a little less than the first part, but still a great job.
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Un comienzo sinceramente simpático con una estupenda Renée Zellweger y un carismático Colin Firth que se convierte gradualmente en términos de guión en una payasada de situación con una molesta Renée Zellweger y un ignorado Colin Firth. Toda la segunda mitad de la película es un forzado y poco inspirado «algo en venta» que no sabe adónde quiere ir ni en qué quiere desembocar. Si la primera película hubiera sido así, habría pasado desapercibida como un mediocre romance con Sandra Bullock.
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The character of Bridget Jones is one of my least favorite movie characters ever. Perhaps my least favorite of all. I make no secret of this fact and therefore the following opinions may be too critical, so don't take them too seriously. The success of the first installment, which revolved around a plump thirty-something desperately seeking a man, was not only tempting for the film producers but also for the author of the book adaptation, Helen Fielding, to create a second part about a woman who, as she says herself, messes up everything completely. The director has changed, and with her, the approach to the film has also changed. Beeban Kidron relies on the most pathetic ingredients of a movie joke. True, the script, which was co-written by Richard Curtis, also didn't give her much room to make the entertainment any more intelligent. The gags try to be funny, but unfortunately, they don't quite succeed. Still, something about my approach to the film has changed since the first installment. While the first one left me with a stone face, I couldn't stop laughing during the second. It's just a shame that it wasn't the classic hearty laugh, but the defensive one when you don't want to start crying out loud in anger. The significantly higher budget provided the opportunity to reach beyond the British Isles. A visit to the Alps is the perfect place for jokes on a snowy slope. Currently, there is a conflict within me between my calm self, which urges me to stay calm and deal with it, and the other self, which tells me to vent my frustrations calmly. Honestly, it's a waste of words... Even the gags in Snowboarders were better... Shut up! Thailand. The name of the country alone smacks of romance. Especially if you're making the visit with Hugh Grant. I don't know, but I haven't noticed anywhere that the consumption of "magic mushrooms" has been transferred from teenage films to adult films. And judging by this film, I would say that a Thai prison is not that bad. What do those drug dealers who got put in it see in it? After all, they can have fun and listen to songs by Madonna in there. What positive is there to find in the second Bridget Jones film? It’s got a bad script, bad direction... bad fun... Maybe the actors? I like Renée Zellweger as an actress and as a woman, but in this role she is downright repulsive to me. The sexist macho Hugh Grant once again excels to the fullest. But Colin Firth? He’s something, alright. Firth, to me, is a true British gentleman. His simple yet masterfully convincing acting makes him one of the best British actors of our time. But even the best actors simply cannot salvage such a bad film, where you can feel that it was made without love, and its logic is dictated by the producers' calculators, who honestly don't care about the final outcome. Their eyes might turn to the final product only if some porn was thrown in there. I’m not going to elaborate.
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The most annoying thing is the concept of the character of Bridget herself, who this time is really just a fat, unlikeable, stupid cow going from embarrassment to embarrassment. And yet, it still watchable without any major harm.
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The only reason for the sequel to the adventures of the quirky Bridget was the hefty profits from the original film, so the producers thought, "Why not squeeze some more dollars or euros out of the audience?" It's not that Renée Zellweger was any less charming or Colin Firth any less dry, and it's not like there wasn't any romance or humor in the film, but the screenwriter seems to be frying on burnt oil, and overall it lacks the originality of the first installment. Overall impression: 45%. Unlike the original Bridget, this film is good for just one viewing; there's no point in returning to it. However, if I weren't comparing it to the first one, I'd add another star...
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A dysfunctional something with a tragic chapter in a Thai prison. And for Renée Zellweger to destroy herself like that? Pure futility. But we all still pretend it's a timeless romcom that will entertain absolutely everyone.
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A terrible bullshit film that's all about nothing, and aside from a lot of absurdities culminating in a Thai prison and a bunch of awkwardness, it also has some good jokes, the brilliant Hugh Grant, and a likeable Bridget. btw I really don't get the odes to Colin Firth, wherever the guy appears he has the same dry aristocratic expression and as far as I counted, only twice in this film does he manage to scrunch his face into a fake smile and that in itself is calling to heaven. Definitely a good candidate for the next installment of The Terminator.
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It's a shame because this film definitely isn't something that should have been worthy of becoming a sequel to the first one. It lacks everything that made the first film something special. This is just a romantic comedy that plays on the awkwardness of the main heroine. The audience then stops understanding why the main hero, or actually both lovers, wants her. There's nothing particularly special about her that makes her worth it. But sometimes that's enough when you don't want more.
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