Director:
Simon WellsCámara:
Donald McAlpineMúsica:
Klaus BadeltReparto:
Guy Pearce, Samantha Mumba, Mark Addy, Sienna Guillory, Phyllida Law, Alan Young, Yancey Arias, Orlando Jones, Jeremy Irons, Laura Kirk, Josh Stamberg (más)Streaming (1)
Sinopsis(1)
Nadie puede cambiar lo que ya ha sucedido... ¿o sí? Alexander Hartdegen (Guy Pearce), un científico e inventor de Nueva York de principios del siglo XX, está decidido a demostrar que es posible viajar en el tiempo. Su determinación, alimentada por su obsesión de conseguir evitar la reciente y devastadora muerte de su prometida, le lleva a construir una increible máquina del tiempo, la cual, tras una breve incursión en el pasado, le proyectará accidentalmente 800.000 años hacia el futuro. Allí Hartdegen vivirá una aventura inimaginable en la que descubrirá que la humanidad se ha dividido en cazadores... y presas. (Warner Bros. España)
(más)Reseñas (7)
La máquina del tiempo está muy bien rodada, tiene unos efectos visuales increíbles y Guy Pearce se esfuerza al máximo, pero en términos de contenido es casi tan desastre como Wild Wild West. Afortunadamente, es bastante más corta y termina antes de que pueda molestarte. Cerrando un ojo, en un momento débil de ingenuidad y modestia del público, le doy 3*.
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A tragicomic example of how a good book can be turned into a first-class travesty. The first half hour is still fine, it has momentum, is quite imaginative and the time shift is masterfully executed. But from the moment Pearce gets to the far future, the film becomes hopeless, starting with a silly plot that goes against the book, and ending with the costumes of the Morlocks and the cardboard sets – an unbelievable shitshow. And poor Jeremy Irons looks like the bizarre guy who offered Nicolas Cage the S&M porn tapes in 8 MM. Simon Wells, I don't know, I don't know, great-grandpa wouldn't be happy.
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I didn't expect anything from The Time Machine. But I certainly was not pleasantly surprised by the result. The film is missing one very important thing: Heart. The heart of director Simon Wells, who claims to be the great-grandson of the author of the book H.G. Wells. The film is made without any passion for the book, without a sense for arranging scenes, and as a result, I feel like I just watched some cold calculation that producers quickly devised and had this project rushed through. The beginning of the story is very promising when Alexander takes his first trip through time. Instead of portraying a person exploring and experimenting with their invention, the script strangely dictates that they instantly bond with the machine, accepting its capabilities as something entirely natural. The vision of the future might only captivate around the year 2037 when the Moon crashes into the Earth. But even this scene, where a perfect apocalypse could have been unleashed, was abruptly cut, and the film jumped forward to the year 800,000. So what’s it like? Just going back to the Stone Age is enough, and we'll end up the same way. The "pretentiousness" of Guy Pearce's acting at the beginning, where he attempts to portray a somewhat scattered scientist, brought a smile to my face. However, that doesn't mean his tough guy act as a world savior was any better. The Time Machine may seem like a grand spectacle, but upon closer reflection, it becomes evident that it's merely a film made to cater to the popcorn industry's demands. Poor H.G. Wells, he's probably turning in his grave. However, I can't sympathize with him because I haven't read his book.
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Simon Wells is admirably clever in that he was able to glue together this slushy band of time cards into at least a bit of a fun sequence... but it is a futile endeavor to look for something above-average and lasting in this train wreck between Planet of the Apes and a Jules Verne Disney adaptation. I am adding a star for the likeable Guy Pearce... and for the fact that my evening went by quickly.
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How to review this... A high-budget film created as a deliberate calculation by the studio and the director. The money invested is evident in the visual aspect, with many effects remaining interesting even over time, but the script is stupid to the point of being offensive. I have no understanding for this type of production; it only brings shame to my favorite genre. The scenes set in the future appear as a cautionary example of creative dementia. Overall impression 25%.
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The special effects - without reservations. Pearce and Irons - the same. It's worse with the story. It's kind of bland (I read the book and I know that it's not the most interesting either), and Samantha Mumba is a nice-looking girl, but like the main character I probably wouldn't choose her. A slightly above average film with good music.
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It has a pretty nice mainstream idea - trying to appeal to a wider audience, although there's a film from 1960 that did this much better. The only thing the film can be credited for is trying to build on the legacy of H.G. Wells, but without understanding his attempts to poke a little fun at society.
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