Abigail

  • Estados Unidos Abigail (más)
Tráiler 1

Sinopsis(1)

Después de que una banda de delincuentes secuestre a una bailarina de 12 años, hija de un poderoso capo del hampa, a los secuestradores solo les queda vigilar a la niña durante una noche para cobrar el rescate de 50 millones de dólares. En una mansión alejada de todo, los raptores empiezan a desaparecer uno a uno y descubren, con creciente horror, que están encerrados con una niña nada normal. (Universal Pictures España)

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Tráiler 1

Reseñas (7)

RUSSELL 

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español Ya estoy bastante acostumbrado a las "cosas de Drácula", pero esto realmente no me gustó. Radio Silence ha reconfigurado en gran medida su excelente Noche de bodas, pero esta fórmula, solo con personajes más molestos y temática vampírica, ya no les funciona tan bien. Abigail es una debilidad agotadora, que ni siquiera el excelente Dan Stevens pudo salvar de la mediocridad. Bettinelli-Olpin y Gillett tendrán que brillar mucho en su próximo proyecto para redimir esta miseria. ()

Goldbeater 

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español Es exactamente como te imaginas que será. Sin embargo, debo añadir que la longitud en un esquema tan simple y con un tráiler y sinopsis revelados de antemano es bastante injustificada. La sorpresa aquí es cero y muchos elementos parecen muy familiares en la filmografía de estos creadores. No tengo nada en contra de que los autores repitan esquemas e ideas que les hayan funcionado en el pasado, pero empiezo a preocuparme un poco de si Matt Bettinelli-Olpin y Tyler Gillett no se habrán agotado creativamente. De todos modos, ¡Kevin Durand debería ser elegido con más frecuencia y en producciones más grandes! ()

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EvilPhoEniX 

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inglés Matt Bettinelli-Olpin and Tyler Gillett, from Radio Silence, deliver their tried and tested recipe once again. Why change something that works. Here we have a group of thieves who kidnap a little girl and are tasked with guarding her for 24 hours in a huge mansion, but what seems like an easy job soon will cost them their lives – they have no idea whose daughter Abigail is. A very likeable cast (I enjoyed the original introduction to the characters, where Melissa Barrera uses details to identify everyone like Sherlock Holmes), the big surprise is Kevin Durand, who is a very funny insert throughout the film, and it was nice to see Dan Stevens as well. The film has a very fast pace, nice visuals, effective jokes, it's decently suspenseful, there a few twists and turns at the end, and it's also decently gory (the house ends up painted in blood from the roof to the basement, so evil can't be pissed) The final explosion was literally a gore epic!!! Too bad the atmosphere doesn't work much and some of the vampire rules change to serve the script, but never mind that, it's the cool ride that they promised, and delivered. Quite possibly the best Vampire movie of recent years? And if you doubt about it, give me a better choice. 8/10. ()

Gilmour93 

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inglés Ready or Not meets Jaroslav Soukup's The Vampire Wedding and, purely subjectively, The Usual Suspects (if Abigail profiles everyone from the elevator cage like Kobayashi once did at the pool table, then Giancarlo Esposito is Agent Baer and Matthew Goode is Keyser Söze)! It has issues with pacing and creativity, and the interesting cast didn't really push themselves beyond wiping gallons of fake blood off their skin (Kevin Durand's dullard doesn't work, and surprisingly neither does Dan Stevens with sharper teeth), but as a visually appealing Dracula story with Pink-Red Swan vibes, it doesn't quite drain your blood despite the slightly overlong runtime. "I fucking hate ballet!" ()

J*A*S*M 

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inglés The film delivers what the trailer promised - it offers neither a hair more nor a hair less. A seamlessly filmed, comedy-horror gory showdown between a bunch of thugs and a little vampire ballerina in an old-fashioned family mansion. My enjoyment is practically spoiled by a couple of things that basically stem from the fact that the Radio Silence duo have done something almost identical before (and better). Ready or Not remains unsurpassed, having offered a more likeable and charismatic protagonist in particular, as well as slightly more imaginative plot motifs. Abigail is four-fifths of the way through, behind the viewer who saw the trailer. It's not until the very end that a few twists happen that you don't necessarily expect. ()

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