Director:
Emanuel PârvuCámara:
Silviu StavilãReparto:
Laura Vasiliu, Ciprian Chiujdea, Adrian Titieni, Bogdan Dumitrache, Valeriu Andriuta, Ingrid BerescuSinopsis(1)
Adi (17) is spending the summer in his home village in the Danube Delta. One night he is brutally attacked on the street, the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack. (Cannes Film Festival)
Reseñas (2)
Un análisis procesal del procedimiento de los aldeanos de Europa del Este - la familia de la víctima, la policía y el padre responsable - en la investigación del delito y el posterior tratamiento de los hechos esclarecidos. Para la civilización occidental, este es un procedimiento incomprensible e incluso absurdo, pero en el centro del pensamiento limitado de los personajes involucrados, es bien intencionado, aunque con un velo de remordimiento que roe. Aunque el guión no gira explícitamente en torno a la tragedia, la brillante estructura de los diálogos y el análisis civil de los personajes llaman la atención y despiertan la curiosidad adónde se desarrollará.La misma historia con los mismos personajes y diálogos podría funcionar igual de bien en la realidad polaca o eslovaca. [Cannes FF]
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Films about coming out are no longer a novelty these days, but Three Kilometres to the End of the World provides a fresh look at how people living in isolated places deal with such a situation, where not only the influence of traditional values on the modern generation, but also deep-seated prejudices and fear of the unknown can lead to tragic consequences, all in an environment that seems idyllic at first glance. The methods parents resort to in order to resolve their son's situation, to help him, really takes us back a number of decades, if not more, and if it weren't for smartphones, one would almost feel that this is the Middle Ages. Either way, it's a compelling film about the courage to be oneself, even if it means facing hostility, misunderstanding and non-acceptance, even from those we care about most. [Festival de Cannes 2024]
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