Director:
Arthur HillerCámara:
Victor J. KemperMúsica:
Stewart CopelandReparto:
Richard Pryor, Gene Wilder, Joan Severance, Kevin Spacey, Alan North, Lauren Tom, John Capodice, Zach Grenier, Shiek Mahmud-Bey, Anthony Zerbe, George Harris (más)Streaming (1)
Sinopsis(1)
Wally es ciego y Dave sordo. El asesinato de un hombre frente a su puesto de prensa les convertirá ante la policía en sospechosos. Para probar su inocencia deberán colaborar entre ellos convirtiéndose Wally en los oidos de Dave y éste en los ojos de Wally. (Columbia Films S.A.)
Reseñas (4)
Richard Pryor y Gene Wilder son testigos de un asesinato. Uno no la vio, el otro no la oyó. Pero juntos tienen la ambición de resolver el caso, a pesar de que van a por ellos los criminales, la policía y, en realidad, ellos dos también se pelean. Sin embargo, es una película sobre una hermosa amistad y la cooperación. Uno no es nada sin el otro, pero juntos son un dúo poderoso. Los dos protagonistas son increíblemente divertidos y es difícil imaginar esta película sin ellos. Una comedia excelente. [KVIFF 2018]
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This film left me with two clearly defined feelings. Gene Wilder reminded me of the time I was watching him in Blazing Saddles and enjoyed the film even for the fifth time. And then I was reminded or Laurel and Hardy, only with completely different actors, one of whom plays the blind and the other the deaf. A very nice slapstick with a solid old-school vulgar Czech voice acting, which I appreciate.
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I first saw this comedy around 1993 and I remember it being very enjoyable. I watched it today expecting to be underwhelmed, but I'm perfectly happy to keep the original four stars. I had a great time again despite the film's dated feel. The premise was great, Kevin Spacey hasn't been edited out, Joan Severance was a treat for the eye, and the final duel of the blindmen had me in stitches.
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The weaker spots were there, but they didn't bother me - I took them as little snippets amongst the hilarious funny scenes. Besides the photographs being taken at the police station, I almost went crazy when, for example, Gene Wilder “quietly" penetrated the greenhouse. That really has to be seen. Last but not least, I liked that the film didn't make fun of the blind or the deaf, but also that at the same time it wasn't too careful - in short, it knew the right measure.
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