Director:
Ringo LamGuión:
Larry FergusonCámara:
Alexander GruszynskiMúsica:
Robert FolkReparto:
Jean-Claude Van Damme, Natasha Henstridge, Jean-Hugues Anglade, Zach Grenier, Paul Ben-Victor, Frank Senger, David Hemblen, Stéphane Audran, Kamel Krifa (más)Sinopsis(1)
Un policía francés descubre que ha tenido un gemelo cuando éste aparece asesinado en Niza. A partir de ahí, decide viajar a los Estados Unidos para descubrir más cosas sobre las actividades de su hermano. Con esta intención, decide suplantarle, viéndose involucrado en una trama que le obligará a enfrentarse al FBI y a las mafias rusas. (Sony Pictures Esp.)
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Reseñas (3)
Al límite del riesgo es una película de acción estándar que está a la altura de sus ambiciones. Lo más positivo: no insultará tu inteligencia como la mayor parte de la filmografía de Van Damme.
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There's not much to talk about here, it’s an average film practically in every aspect that can be mentioned: action, plot, actors, ending, sets, editing; essentially just another genre routine. But it's still better than the previous few films of the karate master. Here, at least, he’s a solid badass that can kick and doesn't try other styles that don't suit him (comedy, raw drama). Maximum Risk can even be seen multiple times (Natasha Henstridge).
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One of those Van Damme movies where you see him twice, and it’s not because he kicked you in the head with a spinning kick. When he first flies through the air in the opening scene like in Naked Gun, I was worried it was going to be a stinker. However, debuting in America, Ringo Lam gradually dispelled those fears. The action delivers physicality and pace, Jean-Claude skillfully hides the iconic bump behind strands of hair, Russian mafia members turn into borscht with growing fury, and he fires from his Beretta with a squinting eye just like Martin Riggs. There’s even a steamy bathroom scene that explains the film’s title and the absence of one legendary element. Doing the splits after this would be a maximum risk for Belgian groin muscles.
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