Director:
Benny ChanCámara:
Anthony PunMúsica:
Tommy WaiReparto:
Jackie Chan, Nicholas Tse, Charlie Yeung, Daniel Wu Yin-cho, Andy Tien, Terence Yin Chi-wai, Coco Chiang, Charlene Choi, Tony Ho, Timmy Hung, Steven Cheung (más)Streaming (2)
Sinopsis(1)
Todo el equipo del inspector Wing de la policía Hong Kong, ha sido asesinado por la banda del malvado Joe. Wing se convierte en un borracho hundido que se siente culpable por la muerte de sus amigos. Pero un oficial novato sacará a Wing del pozo y ambos empezarán la aventura para vengarse de Joe y de su banda de "Los Cinco". (Manga Films S.L.)
(más)Videos (1)
Reseñas (4)
Jackie Chan ya no realiza acrobacias como en su juventud, pero como productor inteligente, lo compensa con escenas de acción perfectas que aprovechan al máximo los rascacielos de Hong Kong y los exteriores e interiores de los lugares en general. Esos rascacielos de Hong Kong son en realidad un fetiche de la ciudad y sus habitantes (y en el caso del hermoso Banco de China, mi fetiche personal). Además de una sensación de alta tecnología y los viejos amigos amenazados por una nueva generación que se crió en los juegos de PC. Armas invencibles del nuevo milenio, que definitivamente no deshonra a la serie.
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It's such a shame that even Hong Kong action films are starting to incorporate digital effects. Otherwise, Jackie still shines in this new version, showing that he knows when to be serious. What's more, he can also act, which might surprise some people. Jokes aside, there are also absolutely great villains here, and Police Story for the new millennium has been born and is of high quality.
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You typically awkward Asian whirlwind of exaggerated emotions with incredibly effective visuals, which with its drive and overall execution pins you to your seat in many moments. Jackie Chan is not skilled in dramatic roles, but his effort cannot be denied. In most cases, he may be unbelievable, yet you can’t help but occasionally root for him. The plot is typically far-fetched, and so only the action becomes memorable in the end. The masterfully choreographed fight scenes – Chan can wield himself in an incredible way – and there is a brilliant scene at the police station as the cherry on top. The film is sometimes overly sentimental and full of clichés, but it can be endured. I did not expect such a high-quality and modernly crafted action film.
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Having taken many misplaced steps in Hollywood, Jackie returned to his home town and, as an “apology", made another movie for his most successful series. This time with routineer Benny Chan in the director’s chair with a considerable budget behind him. And did it work? Well, yes, it did... Firstly, Jackie realized that he is no longer up to the antics that he got up to in his prime and so here he performs considerably fewer “tricks" than we are accustomed to seeing in his movies. However, they are all the more effective and, additionally, he now uses weapons just as often as he uses his hands. Secondly, he has managed to shake off the stunt clown label and, like the movie itself, he plays a dramatic role. When humor raises its head, it comes from him, but luckily there is a minimum of it here. The technical aspects of this movie are excellent, it has constantly decent pacing and good ideas, but its great plus, seriousness, is also its greatest minus. The screenplay requires from Jackie too many tricky and emotionally tense scenes and, try as he might, he doesn’t come across as a convincing character actor. In a regular Chan movie this might not matter, but here it is a problem in places. But still, Chan (Jackie, not Benny) is back. And that’s the important thing.
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