Director:
Ang LeeCámara:
Rodrigo PrietoMúsica:
Gustavo SantaolallaReparto:
Jake Gyllenhaal, Heath Ledger, Michelle Williams, Anne Hathaway, Randy Quaid, Linda Cardellini, Anna Faris, Kate Mara, Roberta Maxwell, David Harbour (más)Streaming (5)
Sinopsis(1)
Ennis del Mar y Jack Twist se conocen mientras esperan en una cola a que el ranchero Joe Aguirre les contrate. Los dos jóvenes parecen estar seguros del lugar que les corresponde en Signal (Wyoming): conseguir un trabajo estable, casarse y formar una familia; sin embargo añoran algo más allá de lo que pueden expresar. Cuando Aguirre les envía a trabajar como conductores de ganado en la majestuosa montaña Brokeback, entre ambos surge un sentimiento de camaradería que deriva hacia una relación íntima. Al concluir el verano, los dos tienen que abandonar Brokeback y seguir caminos diferentes... (Universal Pictures España)
(más)Reseñas (8)
Sólo ahora y aquí entendí qué actor habíamos perdido en Heath Ledger. Una "historia de amor del oeste inusual" magistralmente escrita y dirigida, ambientada en composiciones exteriores increíbles, que es a la vez internamente muy íntima, con emociones ocultas y la tragedia de una felicidad al alcance de la mano pero no realizada. Ang Lee dirige a los actores principales y secundarios en imágenes y en la edición como si estuviera pintando un cuadro. En la atmósfera áspera del retro-oeste americano ensambla un mosaico perfectamente concentrado de deseos y sueños silenciosos, en los cuales el frío viento de montaña y el polvo de la pradera dejan escapar vacilantemente las delicadas notas de la música de Santaolalla. Cada escena es un paso cinematográficamente preciso en la construcción de personajes y en la narración de la historia de veinte años de vida de dos personas que no podían vivir juntas ni separadas. Y la vida de las personas a su alrededor, influenciadas por los trágicos eventos que de ahí provienen. ___ Brokeback Mountain me destrozó con un cierre minimalista del argumento en la forma más digna del arte cinematográfico: sin rastro de cursilería o manipulación de lágrimas por medios cinematográficos diferentes a la sutil conclusión de la historia fuera de la imagen, la cual se entrelaza tan fuertemente con los eventos anteriores que hace que el corazón se rompa. Estas tristes historias de amor gay, cuando son exitosas como aquí o en Llámame por tu nombre, tienen un trasfondo mucho más dramático debido al sufrimiento de los personajes por su diferencia social y un destino desfavorable, mucho más que las tradicionales películas de amor heterosexual. Probablemente también porque encontrar una nueva novia cuando no funcionó con la anterior es mucho más fácil que encontrar una conexión fuerte con alguien de solo el dos por ciento de la población. Seguramente será como para un fanático del cine ver una película dirigida de esta manera una vez cada pocos años.
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Los ganaderos / pastores de ovejas, pocas palabras y la naturaleza indomable no son precisamente una combinación que vaya con mi gusto cinematográfico. Los dramas relacionales, el amor no correspondido, el dolor que destroza el corazón, en cambio, me convienen. Así que en la segunda mitad de la película experimenté una intensidad mucho mayor y disfruté de otra actuación sobresaliente de mi favorito Heath Ledger: ahorro las películas que no he visto con él y ya no me quedan muchas. Una película muy sensible destinada a todos los espectadores y espectadoras sensibles. La mejor escena, la llamada telefónica con Anne Hathaway, y por supuesto, también desde su punto de vista actoral. Si se filmara en la actualidad, sin duda cosecharía aún más éxito y aplausos.
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A beautiful film, with haunting images and a slow pace narrative that resonates with my tastes, but it’s missing something for the 5*. First of all, I didn't quite believe the depth of the relationship between the two cowboys. As portrayed by Ang Lee, their sexual bonding seemed to be only a temporary romance, the infatuation of two people in the middle of the loneliness of the mountains, but for it to be such a strong and faithful relationship that is so passionate even after four years filled with marriage and children, there would have to be something more, something that is formed over months and years of living with each other and overcoming obstacles. I missed that, which is why I didn't believe their passionate kissing scene when they meet again, but please take that as a very subjective point of view. Otherwise it will be all praise, because what Ledger and Gyllenhaal do can't be called anything else than an ode to acting, and it’s mainly because of them, the beautiful cinematography and the unobtrusive, but impressive musical score, that this film is worth seeing. But don't expect a whirlwind of emotions, they come out rather subtly throughout the film.
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Just like a children's picture book, this picture puzzle is filmed in an incredibly captivating way and the characters stand out beautifully. However, the film completely misses any deeper emotional impact in its picturesqueness, which is unfortunately due to the very careful handling of the provocative subject matter. This is due to the fact that if the relationship had been developed between heterosexuals, it would have been the perfect essence of kitsch, which, with the subject of homosexuality, seems more like a cheap pose than an effort to demystify not only the Wild West and cowboys as tough guys, but homosexuality itself.
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Dragged-out like nothing else on earth. Among the plus points we have Lee’s directing in isolated scenes, the acting performances and the believable relations between characters... But everything gets overshadowed by dog-weariness so great, that it doesn’t allow you to immerse yourself in to the movie (or penetrate in this case?). I personally would have appreciated it if Gyllenhaal and Ledger had swapped their roles, because the latter doesn’t fit the silent type at all, even though he does a good job of it.
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A much more demanding film than it may seem at first glance. Ang Lee approaches a sensitive subject completely differently than I expected, without overflowing with emotions, and the viewer interprets everything solely through glances and sparingly tight actions. But when it comes to confession, it is powerful. I wouldn't indulge in total superlatives, given the excessively wide shots, but it captivates with its atmosphere and the performances of Heath Ledger and Anne Hathaway, drawing the audience's attention to the main couple and holding their breath exactly in those moments when I feel that hearts are breaking.
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Ang Lee doesn't lead the viewer by the hand, and that's intentional. The director is fantastic and Brokeback Mountain is the biggest hit of the year and it absolutely deserves all those nominations. It’s a simple and unpretentious story packed with emotions. The acting is fantastic, there's no point in dissecting it in detail, both Heath Ledger and Jake Gyllenhaal deliver the best performances of their careers. Excellent, incredibly powerful dialogues. A film about a very unconventional love relationship. Without a doubt, the best film of this year.
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I know who would want to watch a movie about two cowboys who have a fling one time out of boredom - yes, both of them are men - and their love lasts until the end, but it really is worth it. This is a story about cowboys, it is a story about love, but also about unfulfilled love. As time changes, so do the protagonists. It shows in their appearance, but also in the fact that their personalities, dreams, and lives change. It may not appeal to everyone. The viewer is already full of prejudices when they find out what the film is actually about. If they are not open to the idea that two guys can simply fall in love, they probably won't enjoy the film at all, maybe they won't even finish watching it. If you want to test how homophobic you are, watch it until the end and see what you feel. Satisfaction or sadness. Based on that, you can finally decide what your stance is on this issue. More: http://www.filmovy-denik.cz/2012/05/kung-fu-dewey-cox-zkrocena-hora-12-opic.html
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