Director:
Wes AndersonCámara:
Robert D. YeomanMúsica:
Mark MothersbaughReparto:
Jason Schwartzman, Bill Murray, Olivia Williams, Seymour Cassel, Brian Cox, Mason Gamble, Sara Tanaka, Stephen McCole, Connie Nielsen, Luke Wilson (más)Streaming (3)
Sinopsis(1)
Academia Rushmore narra un año en la vida de Max Fisher, un estudiante rebelde de esta academia, una de las escuelas más prestigiosas del país. Editor del periódico de la escuela, capitán y presidente de numerosos clubs y sociedades, Max es también uno de los peores estudiantes que ha tenido la historia de Rushmore, por eso la idea de que algún día lo expulsen no para de rondarle por su cabeza. En un momento trascendental de su vida, Max se enamora de la elegante profesora miss Cross, pero su conquista se ve frustrada cuando se entera de que su amigo, el señor Blume y padre de dos compañeros suyos de clase, también intenta conquistar el amor de la señorita Cross. (Divisa Home Video)
(más)Reseñas (6)
A brilliant Wes Anderson – as always, really. I had a bit of a problem believing Jason Schwartzman was a 15-year-old boy, but then I found out he was about 17 at the time of filming and I figured he was actually well cast because his Max was supposed to look that way. And Bill Murray is a safe bet, of course. The amount of emotion he can put into one look, another actor can't do in a whole film.
()
Seguí mi análisis de Ruben Östlund con Wes Anderson. No pude encontrar su primera película, así que empecé con la segunda, que Disney+ ofrece junto con algunas otras películas de este director tan original. Fue divertido ver a Jason Schwartzman como adolescente en su posiblemente único papel principal. Una agradable película de tres estrellas que definitivamente no decepciona.
()
Wes Anderson is usually unique, but here he still had significant reservations in terms of narrative pace and style. Even then, it was a portion of original entertainment with a sheer essence of melancholy, but the story as a whole, although we have all been platonically in love with a young smiling teacher at some point, drags on very slowly and I can only catch glimpses of it through slowed-down shots, a fantastic soundtrack, or occasional charmingly weird gags. As a whole, however, Rushmore is so specifically self-contained that I eagerly look forward to the director's shift to my favorite family three years later.
()
During the first half hour I looked forward to giving it five stars. Anderson sucked me into a world full of quirky characters, real feelings and delicate quips, and, smiling from ear to ear, I listened to every retort and watched every expression of the greatly cast actors (Bill Murray in particular, with another over-the-top role). But the humour gradually decreases, both in the dialogues and the development of the characters and their confrontations, yet the film never ceases being one of the most adorable genre contributions from the 90s, with a romantic line that works wonderfully in its own absurdity and unique world, and characters that are guaranteed to be etched in your memory. And the low-key but solid soundtrack adds to the colour. Let yourselves be drawn in and you are sure to have fun, though not all the way to 5*.
()
This film stands without question especially on the performance of Jason Schwartzman, who was perfect and convincing in his role. Bill Murray and Olivia Williams also complemented him brilliantly. Even though it's rich in plot and appealing, I can't shake the impression that there was something missing that would have made me smile or think, perhaps more significantly. Too bad! All in all, definitely unordinary American comedy that doesn't offend and delights.
()
I like Wes Anderson's films, but I don't consider this one to be his best. His poetic style is already felt here; it's pleasantly offbeat, but the main character is really awful. You can easily hate her. Moreover, the story won't captivate you as much as Anderson's other works. The acting was good, but I guess I expected more.
()
Anuncio