Director:
David CronenbergGuión:
David CronenbergCámara:
Peter SuschitzkyMúsica:
Howard ShoreReparto:
James Spader, Holly Hunter, Elias Koteas, Deborah Kara Unger, Rosanna Arquette, Nicky Guadagni, Markus Parilo, Peter MacNeill, Judah Katz, Boyd Banks (más)Sinopsis(1)
Una noche, James Ballard estrella su coche contra el de Helen y ambos son ingresados en un hospital. Lo sorprendente es que inmediatamente después del choque los dos experimentaron una extraña atracción mutua. A partir de entonces, la vida de James se precipitará hacia un mundo oscuro y prohibido, dominado por el peligro, el sexo y la muerte. (José Frade S.A.)
(más)Reseñas (4)
Una oda extremadamente bizarra, psicológicamente complicada y sexualmente vanguardista a los lados seductores de la autodestrucción voluntaria y al mismo tiempo inevitable del cuerpo de una generación dolida que vive en un mundo frío y despersonalizado.. Arte a la manera de Cronenberg, del que no apartarás la vista ni un segundo y que acabará llevándote a un estado de depresión extática y tristeza. Es una belleza.
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There’s a bunch of perverts who don't know how to get laid anymore, so they focus on the adrenaline associated with car accidents... I thought it was a great topic when I was 15, and after a while, I bought the DVD, but I didn't see it until today. So what did I think? It’s boring. The withering cast is probably the worst I've seen in years. Deborah Kara Unger is the queen of all the C-movies and I am left wondering what happened to James Spader, who was so great in Wolf but who now only stars in B-movies.
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An experience thwarted by the censorship of a horribly insensitive R-cut that someone must have spliced together in ten minutes. I'll add a proper review once I get hold of and watch the proper NC-17 version.
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David Cronenberg gave us a psychological thriller that builds up and anticipates a devastating finale - the destruction of the heroes. Can they survive in such a way? How could they? You can't live like this for too long. The catastrophe must reach its peak, and the fall to the bottom follows. But is it really so? I won't claim that the film portrays anything accurate, but it certainly doesn’t glorify. To view Crash as a film that celebrates accidents and unrestrained sexuality is nonsense. Crash doesn't want to shock, but it wants to show how far we can go. If you see it as a pathetic attempt to shock, a perverse film that revels in depravity, then I think Cronenberg’s films really aren’t for you, and the director won’t find understanding with you. It’s a shame because his films at least draw attention to our darker sides, which we can avoid, learn more about, and understand.
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