Director:
Frank CoraciCámara:
Dean SemlerMúsica:
Rupert Gregson-WilliamsReparto:
Adam Sandler, Kate Beckinsale, Christopher Walken, David Hasselhoff, Henry Winkler, Julie Kavner, Sean Astin, Jonah Hill, Tatum McCann, Lorraine Nicholson (más)Streaming (3)
Sinopsis(1)
Michael Newman (Adam Sandler) es un arquitecto que trabaja demasiado a la espera que su desagradecido jefe se decida a hacerle socio de la empresa de una vez por todas. Tiene una bella mujer, Donna (Kate Beckinsale) y dos hijos que exigen pasar más tiempo con él. Después de una dura noche trabajando hasta tarde, Michael busca con frustración el mando de la televisión entre los variados controles remotos que hay en su salón. Como no lo encuentra, decide salir a buscar un mando universal que le permita manejar todos los aparatos y llega a una tienda donde Morty (Christopher Walken), un excéntrico empleado, le da un mando experimental que cambiará su vida. Morty no bromeaba y, además de manejar todos los aparatos de la casa, Michael descubre cómo también permite hacer callar al perro, pasar a toda velocidad una pelea con su mujer o retroceder en el tiempo a momentos que ya ha vivido. Pero antes de que Michael se dé cuenta, el mando está programando su vida y decidiendo qué momentos experimenta y cuáles se pierde. Sólo entonces, Michael empieza a apreciar realmente cada momento de su vida. (Sogepaq Distribución)
(más)Reseñas (10)
Más bien 3,5*, si no fuera por los chistes baratos de «Sandler» como los pedos y las patadas en la entrepierna. Frente a su cliché general, una enorme sorpresa en forma de conclusión (casi) trágica y terriblemente deprimente. Un bonito recuerdo nostálgico a las películas de viajes en el tiempo de los años ochenta.
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A primera vista, me gustó tanto Klik que lo vi nuevamente en breve y dejó la misma impresión positiva en mí. Tal vez a todos nos ocurra de vez en cuando cómo sería tener la posibilidad de controlar el tiempo. Sin duda, el efecto inicial sería favorable, sin embargo, los efectos secundarios no deseados llegarían pronto, al igual que al personaje principal interpretado por Adam Sandler. Otro excelente "sandlerovek" de la serie que estará muy arriba en mi lista personal. Familia sobre todo...
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The first half is a series of more or less awkward and even more awkward jokes, where my rating oscillated around one star. Fortunately, the second half picked it up, the awkward humour disappeared and it became a quite pleasant, albeit a bit simple-minded moral on the theme "Family above all!" With the passage of time, the initially unlikeable Sandler has become a person who can believably play some deeper emotions. In the end, I would give it 3 stars, but I can't because of the first half. And in conclusion, I can only say with pleasure: "Hola hey, the cult lifeguard and general of shallow commerce, the reborn David Hasselhoff is here again!!!" :o) He clearly enjoyed his role as the boss after his film fast.
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Family first. To come to this crucial decision, you have to endure about a hundred minutes with this "comedy" gem. The subject matter has some comedic potential, but it shouldn’t have been put into the hands of Coraci and Sandler. In the first half, Click is a classic family comedy except that it is without humor. The creators attempt it here and there, but fecal wannabe humor, like farting in David Hasselhoff's face, can hardly be viewed as being funny. In the second half, the movie changes key, but it deploys another heavyweight: a journey to learn the true values of life. Moreover, with a rather ridiculous attempt at the emotional side of things. Click could have been a decent average comedy in the style of Bruce Almighty... if it had been shorter, without dysfunctional emotionally manipulative scenes, and most importantly, if there had been some humor in it. It's even worse than the usual dumb Sandler movies. Why? Because this pretends to be something more. If it weren't for Sundance, I'd go even lower with the rating.
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Lots of ideas at the beginning and nothing but slightly clumsy moralizing at the end. Surprisingly, Adam Sandler goes all in, and he is skillfully supported by the divine Sean Astin. On the other hand, Kate Beckinsale is little more than a decorative accessory. However, all the life lessons wouldn't bother me as much if it weren't for the key scene in the rain, which instead of evoking sorrow, brought a wide smile to my face due to its ineffectiveness, and the dogs constantly circling the stuffed animal don't seem funny to me either. Given the great concept, it's ultimately a sadly wasted opportunity.
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The first half is a typical Sandler movie with all the trimmings. The jokes about jumps in time + the “bonus" function on the remote control + out-talking the neighbor’s brat (to tell the truth, I enjoyed that bit the most:-). While the second half is a sad to touching drama about life. Despite everything, the second half is predictable and simple, but is touching mainly thanks to Sandler’s excellent performance. Plus, Kate Beckinsale’s amazing body drives me crazy ;-). After a repeat screening, I raise it to a 5.
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The story is like a see-saw: uninteresting and even cringe moments are followed by genuinely funny and even touching passages at the end, which I always like to remember. And I remember them even more fondly when they featured the traditionally charismatic Walken or Kate Beckinsale in panties (which is still probably the prettiest imaginable scene in Hollywood history). It's a shame about the uneven first half, which dulls many of the motifs and overwhelms them with unnecessary quick gags, and the stupidly violent happy ending – with this subject and cast, it was meant to be an endlessly clever and inspiring film, not an occasionally funny and tryingly deep fairytale that eventually trips over its own feet. 65%
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Sandler's irony and sarcasm works. Agitprop on the importance of family does not. Plus, I can't stand movies with cute American (or any other, after all) brats.
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A thoughtful film with a well developed plot, which initially draws the viewer into a calm atmosphere, then picks up in intensity and offers a deeper insight into the main character's life. The philosophical part of the plot itself provides an interesting reflection on everyday decisions that ultimately results in a powerful emotional experience. Click is a compelling film that teaches us to value time and live life to the fullest, and leaves a lasting impression on the audience.
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What? It's a bit crazy, and the ending is poorly handled and clichéd in terms of scriptwriting, but I still like how Adam Sandler delivers various moral values in his own style. This guy just clicks with me, and probably nothing he makes can change my opinion about him. Click has a lot of weak points, but there were still moments where I laughed.
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