Director:
Uwe BollGuión:
Doug TaylorCámara:
Mathias NeumannReparto:
Jason Statham, John Rhys-Davies, Matthew Lillard, Ray Liotta, Leelee Sobieski, Burt Reynolds, Ron Perlman, Claire Forlani, Brian White, Kristanna Loken (más)Sinopsis(1)
La vida de un hombre muy trabajador, conocido simplemente como Farmer (Jason Statham), cambiará para siempre cuando una banda intrusa de Krugs (bestias animales esclavas de un malvado hechicero) arrase a su paso la tranquila localidad de Stonebridge, asesinando a su hijo y secuestrando a su mujer, Solana (Claire Forlani). Movido por el dolor, el pacífico campesino lidera a su mentor Norick (Ron Perlman) y a su cuñado Bastian (Will Sanderson) en busca del ejército Krug para liberar a Solana. Durante la invasión Krug de la campiña, Merick, el mago real, descubre el verdadero origen de su fuerza: su viejo rival Gallian (Ray Liotta), un hechicero formidable y hambriento de poder. Gallian planea utilizar su infernal milicia para derrocar al rey Konreid (Burt Reynolds) y colocar a su títere, el quejica Duke Fallow (Matthew Lillard), en el trono. Mientras los ejércitos del rey cabalgan a su encuentro con los sanguinarios Krug, Farmer y sus compañeros pasan desapercibidos por los traicioneros puertos de montaña de Ehb con destino a tierras desconocidas. Una arriesgada incursión nocturna a un campamento Krug se vuelve trágica cuando Norick y Bastian son capturados, y Farmer escapa con vida por los pelos. Desesperado por encontrar a su mujer y a sus amigos, Farmer se une al ejército real en una batalla épica. Sus extraordinarias heroicidades llaman la atención tanto de Gallian como de Merick, que sospecha que el simple campesino esconde un secreto. En una confrontación definitiva que determinará el destino de Ehb, Farmer podrá reclamar sus derechos de nacimiento y derrotar a Gallian, o permitir que el malvado hechicero se haga con el control de la región. (New World Films S.A)
(más)Reseñas (4)
Jumbled, with uneven visual effects and unconvincing visuals, and incredibly stupid. Still, entertaining in certain circumstances. If you can enjoy bad movies starring people who KNOW they won't win an Oscar for them, you'll be satisfied.
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Adoration of J.R.R. Tolkien's world packed into two hours with the literally distasteful addition of omnipresent clichés. The Lord of the Rings screams from every other shot, but the cameraman's copied flyovers and sweeps quickly start to fade away, just like futile attempts at any mythology (see the clumsy king reminiscing about old times or the hilariously failed attempt at creating elves of their own). Uwe Boll simply fell hard and dragged down everyone involved. Apart from the fact that it brought shame upon solid actors like Ray Liotta or Matthew Lillard, unfortunately even Jason Statham, the sympathetic character, gets lost in a flimsy parody of Aragorn. And when it turns out at the end that the main villain actually made no sense at all, that's a real blow to the head.
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Honestly, I have never understood the popularity of Ed Wood, the enthusiastic comments, and the five-star ratings from those who consider themselves or maybe even are knowledgeable film experts. Even his "best" films contain so few entertaining elements that it is much more reasonable to spend an hour and a half staring at the wall or to prefer a poorly edited family video of unsympathetic brats from the neighborhood. On the other hand, when Uwe Boll wants to and has his day, he can make a masterpiece that I would expect to receive enthusiastic comments from fans of B-movies and low productions. Of course, it is all still cheap trash that lacks even a fraction of the nobility and grandeur of successful fantasy films like The Lord of the Rings and the old legends they are based on. This is a pulp concoction of all possible elements of historical fantasy, fighting styles, and worn-out genre clichés that can entertain merely by the fact that Uwe Boll shamelessly steals from his famous colleagues and combines everything possible and even impossible. So armored knights fight in the style of kung-fu and the main hero skillfully handles a boomerang. The king's advisor addresses the subjects as citizens, talented and successful actors overact to the point of caricature, and I could go on almost endlessly. By the way, my eight-year-old son was openly enthusiastic about the movie, as this film truly corresponds to the spiritual horizon of children this age. Measured by the same standards that I have for A-movie productions, I could raise a thousand and one objections, but for moments of relaxation and for those who can temporarily turn off their brains, In the Name of the King can be a good choice. Overall impression: 25%. There are certainly worse films in the respective genre, and if Boll could maintain the level of his films on this line, he probably wouldn't feature among my film nightmares.
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I continue my slow and gradual exploration of Uwe Boll's filmography. I was quite surprised by the actors he managed to cast. In some cases, they were literal legends, or at least top-tier contemporary talent. After watching the film, I can't help but agree that Uwe Boll is simply a hated director. The film doesn't deserve such bad reviews. It is pathetic, it's sometimes silly, and Uwe Boll tries to show off and takes inspiration from everything possible, including Crouching Tiger, Hidden Dragon. On the other hand, from a filmmaking perspective, it's not all that badly executed, and it does have tension and emotions, although it probably won't resonate much with you. I liked it, and it gets three stars.
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