Director:
Woody AllenGuión:
Woody AllenCámara:
Remi AdefarasinReparto:
Scarlett Johansson, Woody Allen, Hugh Jackman, Romola Garai, Ian McShane, Fenella Woolgar, Matt Day, Robert Bathurst, Charles Dance, Nigel Lindsay (más)Streaming (1)
Sinopsis(1)
Sondra Pransky (Scarlett Johansson) es una estudiante americana de periodismo que se encuentra en Gran Bretaña visitando unos amigos. Durante su estancia en Londres, acude a un espectáculo de magia, donde el ilusionista (Woody Allen) le hace subir al escenario, para realizar uno de sus trucos en el que ella debe desaparecer. Mientras Sondra está esperando "desmaterializarse", recibe la visita del fantasma de un reportero fallecido (Ian McShane), que le dará la exclusiva del año. El espíritu afirma que Peter Lyman (Hugh Jackman), el rico y atractivo hijo de un conocido aristócrata británico, está llevando una doble vida como el "Asesino del Tarot", un asesino en serie que lleva tiempo aterrorizando el país y eludiendo a la justicia. Con la ayuda del mago, Sondra empieza a investigar la noticia y consigue juntar ciertas evidencias incriminatorias contra Lyman. De todas formas, cuanto más sabe de él, más peligrosa se vuelve la investigación, sobre todo cuando nota que empieza a enamorarse del atractivo presunto asesino. (On pictures)
(más)Reseñas (7)
In the type of role which gets usually bagged by Woody Allen, Scarlett Johansson maybe tries a bit too hard. But the rest is quite good – at last I don’t mind Allen’s acting, Jackman is great, and Scarlett is at very least gorgeous. The screenplay is average, uninventive and completely predictable. It flies by quite smoothly and a couple of funny scenes work well... But it’s more of a put your feet up movie rather than a “masterpiece" in the good old Woody style we know so well.
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I'm curious as to why Woody Allen's casual viewers usually consider Scoop a pleasant comedy, while his more regular audience remains disappointed. I stayed somewhere in between. It's no disaster; quite the contrary. Some gags work perfectly and perhaps Woody couldn't have chosen a more appreciative role to bid farewell to his acting for the next few years. That said, in competition with dozens of his other works, I come to the inevitable realization that I have seen the individual components of the story elsewhere and differently. And better. Scarlett Johansson in particular does not fit at all into the role of the main neurotic. Though she delivers some great lines during her arguments with the magician, she has no personal charisma, and above all, no chemistry with the usually flawless Hugh Jackman.
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Woody Allen is like a likable, elderly, hyperactive uncle who visits his relatives once a year and entertains everyone with his storytelling and unstoppable wit. Even though it seems like you've heard some of his jokes in slightly modified form a few years ago, it doesn't matter at all because he has a unique charm and belongs to the family. Woody Allen directed one of his typical comedies, where he traditionally cast himself in one of the lead roles. Match Point, although significantly deviating from his other works and impressing me with its freshness, didn't disappoint me in this traditional Allen position either. He is one of the few directors who perhaps can't make a bad film. They are at worst good, and if I exceptionally give him two stars, it's only because we have different tastes thematically. While Scoop is not among his best films, it is definitely a decent piece within his body of work, with traditional bon mots, jokes about the Jewish community, and his surroundings. It must be said that Woody Allen is getting older and should find a suitable replacement for him in the acting roles. Scarlett Johansson is charming, and considering that the director has cast her three times already, there might be a special chemistry between them that Allen's partner would probably describe differently. Overall impression: 75%.
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This is exactly what a Woody Allen film looks like without his wit, sophisticated insight and creativity. A bunch of stilted dialogue, not even Scarlett Johansson in a swimsuit can save the wtf story and the feeling that this film was actually pointless and about nothing. The ending is like a copy of Match Point, which was still a much better film as a whole
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Three and a half stars. I really liked the scenes set on the ship of the dead, Woody Allen's character and the music, but I was quite disappointed and annoyed by Scarlett Johanson. She looked good with Hugh Jackman, though.
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I see that this film hasn't received much acclaim and there is talk of rip-offs and loss of directorial power. Well, this is only the second Woody Allen film I've seen, so I'm totally blown away by his style. I was impressed, both on the crime and comedy side. Woody Allen shined and I laughed at his monologues and dialogues. And inserting the last journey to eternity wasn't a bad idea either, also a "London ride on the wrong side". It Intrigued me and made me laugh - 75%.
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Woody Allen is simply interesting in every form, and even though it's not quite perfect, even though it’s sometimes a little rough around the edges, it's still something he doesn't need to be ashamed of. His acting is more of an echo, and I think it's quite understandable that he has more or less wrapped up his acting career. He chose interesting actors for this film, but the best part of an otherwise fairly average film is the screenplay, which is actually a comedic thriller that works. It's not anything great; some elements are unnecessary, like the entire finale, but the idea is interesting and fairly cleverly executed.
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