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Sinopsis(1)
Nombre: Borat Sagdiyev. Sexo: Me gusta. Ciudad de Origen: Kuzcek, 3 millas al norte de la valla de Jewtown, Kazajistan. Aficiones: Mis aficiones son el trampolín, el ping - pong, sentarme en sillas cómodas, bailar en la disco y disparar a los perros. También me gusta hacer fotos de las cosas americanas. Y el sexo. Jagshemash, Mi nombre es Borat, el reportero número 2 de Kazajistan. Mi gobierno me ha enviado a los Estados Unidos de América para hacer una película que acerque a la gloriosa nación de Kazajistán sus enseñanzas culturales. Por favor, ven a ver mi película -- si no tengo éxito -- seré ejecutado. ¡Espero que te pueda gustar! ¡Jen - Kui! También ven a ver mi ciudad, ¡Te gustará! (20th Century Fox España)
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Reseñas (11)
A la vez infantil e inteligente, ofensiva y conmovedora. Y siempre honesta. Un pequeño fenómeno. Al menos por su singularidad. Espero que haya toda una serie de estas películas y que todas sean al menos así de buenas.
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Yo me resistí obstinadamente a Borat durante mucho tiempo, porque inexplicablemente me sugestioné que los estadounidenses se burlaban de los kazajos y definitivamente no necesitaba ver eso. Después de ver la primera parte, me di cuenta de que Cohen se burla de todos y no se detiene en apuntar a nadie, cualquier cosa, nada es sagrado para él. Una divertida sátira en forma de pseudo documental sobre la podredumbre de Estados Unidos. Todo el tiempo estuve pensando si Pamela aparecería al menos por un momento frente a la cámara al final...
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Fully appreciated after a second screening. This film is not what it appears to be at first sight. A witty mockery of petty bourgeoisie, the fanatical religiosity of the American Midwest and the stupid anti-Semitism of a significant part of the population, all with a broader scope (it doesn't matter if it's the USA or a small country in the middle of Europe, people are basically the same everywhere, except for small nuances). My colleague Cooper and I laughed like madmen, a cleansing laugh, knowing that what we see on the screen is inherently ridiculous, but beneath its veneer is a deliberately targeted satire. "Disgusting, filthy and perverse" can only seem to people unable to read between the lines.
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The pursuit of maximum gag idiocy goes hand in hand with the pursuit of documentarity – if the individual performances of the Kazakh red neck really had the hallmark of authenticity, it would probably be more fun. But the want is very apparent. Cohen saves what can't handle the weak verbal humor, in which gross incorrectness plays a major role, with physical courage (the girl with the clever geront is truly a stunt performance). There are parts in the film contagious with their crunchy poetics and the short runtime is also helpful. The ridicule of the traditional attributes of American petty bourgeoisie is quite nice, but it does not exceed the possibilities of the first plan. Borat's journey through the USA is pretty fun, even though it's all about fart humor. You laugh at him, but only the stink remains.
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Funny? Yes! Badly balanced? You bet it is. If you haven’t come across Cohen and his humor and sketches before, you’ll love Borat (if you can stand watching). Unfortunately, if you know him, then you will find that this feature-length offering is rather disenchanting, because it has a lot of dead places, and the scenes that work excellently a mere recycled versions of Cohen’s TV sketches. But at the same time, the whole thing is fine and likeable, and it is certainly no disappointment or failure because, at very least, Cohen’s charisma carries this pseudo-documentary even at its weaker moments.
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