Director:
Michelangelo AntonioniCámara:
Aldo ScavardaMúsica:
Giovanni FuscoReparto:
Gabriele Ferzetti, Monica Vitti, Lea Massari, Dominique Blanchar, Renzo Ricci, Esmeralda Ruspoli, Lelio Luttazzi, Renato Pinciroli, Giovanni PetrucciStreaming (1)
Sinopsis(1)
Durante un viaje de placer en barco, una joven rica desaparece durante la visita a una isla. En el viaje le acompañan su novio y su mejor amiga, quienes se entregan sin descanso a la búsqueda de la desaparecida. Unidos por esta investigación, tanto en la isla como en tierra firme, ambos sentirán crecer una fuerte atracción que les lleva a una relación llena de claroscuros originados en la sombra de la amiga/amante perdida. (Filmin)
(más)Reseñas (2)
It has a good plot at the beginning, where the pace is still tolerable, but what happens to the film afterward is simply less interesting than what it could have been. Michelangelo Antonioni is incredibly drawn-out in this work, and even though the pace is slow, it tends to stroke rather than bore. Unfortunately, even that didn't prevent the film from failing to resonate with me more.
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One of the best examples of Italian arthouse cinema of the 1960s, where filmmakers attempted to outline the problematic relationships and love mood of the social elite of the time. Antonioni slowly and methodically presents us with a simple story about a love triangle, which he spices up with a mysterious plot, while his ambiguous narrative language forces us to think about the seen and the suspected, the spoken and the silenced, the purely subjective and the mysteriously irrational, just like in his later Blow-up. To some it may logically seem like a wannabe artistic fable aimed at awards at independent film festivals, but I was able to immerse myself in the story and ignore its emotional austerity and shallow romantic cloyingness. 75%
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