Director:
Edgar WrightCámara:
Bill PopeMúsica:
Nigel GodrichReparto:
Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Ellen Wong, Anna Kendrick, Brandon Routh, Alison Pill, Jason Schwartzman, Johnny Simmons (más)Streaming (5)
Sinopsis(1)
Scott Pilgrim (Michael Cera) nunca ha tenido problemas para echarse novia. Las dificultades aparecen cuando quiere cortar. Mientras intenta deshacerse de la última conquista, Ramona irrumpe en su vida, pero no tarda en descubrir que la mujer deseada arrastra un bagaje nada tranquilizador: sus ex controlan su vida amorosa y están dispuestos a hacer lo que sea para eliminar la competencia. Scott se acerca cada vez más a Ramona, pero debe enfrentarse a los hombres de su pasado, que van desde un peligroso patinador, pasando por una estrella del rock vegetariana, hasta dos pavorosos gemelos. Si quiere hacerse con su corazón, deberá superarlos a todos. (Universal Pictures España)
(más)Videos (4)
Reseñas (14)
Un géiser de ideas, una locura simpática y escenas de «pelea» más claras que las que ofrecen las películas de acción más geniales. Si los adolescentes de hoy miraran más esto en lugar de las superficialidades tipo Crepúsculo, todo estaría mejor.
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There are images that mature over time and there are those that never change. At the time of its creation, I couldn't wait for a movie with punk, rock, a bunch of nice guys playing, and settling scores with ex-partners in a video game style based on comic book themes. I persuaded my friends to go to the cinema and it turned into a nightmare for every local viewer. While the trailers were almost untouched, my friends had a good time and thanked me for the suggestion, I could only scratch my head, and I barely managed to reach an average rating with the irresistible Culkin and a huge amount of visual ideas in mind. I couldn't understand what such a collection of beautiful girls led by Envy and Ramona could or can see in a charisma-less wimp played by Michael Cera. Furthermore, I was disappointed by the repetitive fights, the ethically problematic ending; I just couldn't stop grumbling. Every time someone mentioned Scott in the following years, often in enthusiastic recollection of the unrestrained spectacle full of fun, I wondered why I wasn't meant to fight with Mr. Pilgrim. That's why I met him again after thirteen years - and it turned out exactly the same. I can't stand the main character, I don't understand the role of Knives in the plot, maybe only those beginning stars, who will be much more famous in the future, I perceive even more. I take the rerun as an unexpectedly necessary preparation for an animated series that tells the same story, but fortunately in a completely different way, but with this name, I won't be friends in the live-action format.
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After 5 minutes, I knew that this film would not be my cup of tea, and after 10 minutes, I realized that I was genuinely suffering. Nevertheless, as a typical weakling, I endured for another half hour, only to finally understand that every additional minute was an unequivocal waste of time and that there are plenty of more interesting activities in the world, starting with sex and ending with delicious food, to which I could give preference. Actually, anything deserves preference in this case. I could elaborate on the comic book aesthetics but it is influenced by a series of films that really appealed to me. I could go on about how this is a film aimed at the young generation, but so was Misfits, and I had a great time with that series. The best adjective to describe Scott Pilgrim is adolescent. Adolescently directed and tailored for teenagers. Furthermore, it is based on a stereotype and subsequently becomes boring. It had nothing to offer me, but undeniable professionalism compels me to give it one star. Overall impression: 25%.
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If someone has watched, read, listened, and recorded plenty of things, and they can also film in such a way that it is perfectly entertaining, then we’ve got nothing to worry about. During the screening, I wanted to chant and cheer loudly, and after it was over, I wanted to go back to the box office and do it all over again. This sort of "style geyser" cannot be absorbed the first time around. This is the second film this year where inventive British filmmaking has made an incredible splash for Hollywood money.
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An incredibly original visual action ride, packed from beginning to end with directorial tweaks, graphics, and situational and verbal humour; every sentence is a joke. Scott Pilgrim is thoroughbred fun that demands a lot of attention from the viewer if they want to get all the jokes. If you ignore the superficial shiny tinsel, what’s left is a straight line that recycles old clichés with unprecedented vigour, relies on the repetition of one motive and takes place in an internally inconsistent and utterly insane world, but nobody cares. That would be very bad, but the protagonist is an ordinary geek who’s probably never come up with anything original (pick-up line), he only cares about one thing (video games) and his world and life cannot be considered deep or complex. The only question left is whether this film can be considered as a portrayal of the world through the eyes of Scott Pilgrim, or whether I’m just looking for things that aren’t there. Either way, it was a lot of fun. 9/10
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