Director:
Rian JohnsonGuión:
Rian JohnsonCámara:
Steve YedlinMúsica:
Nathan JohnsonReparto:
Adrien Brody, Rachel Weisz, Mark Ruffalo, Rinko Kikuchi, Maximilian Schell, Robbie Coltrane, Ricky Jay, Andy Nyman, Zachary Gordon, Max Records (más)Sinopsis(1)
Bienvenido al mundo de los hermanos Bloom, donde el engaño es un arte y nada es lo que parece. Los Bloom han perfeccionado el arte de estafar fortunas a lo largo de muchos años de fraternal trabajo en equipo. Ahora han decidido aceptar un último y espectacular trabajo: atraer a una bella y excéntrica heredera hacia una aventura que los llevará alrededor de todo el mundo. (La Aventura Audiovisual)
(más)Videos (3)
Reseñas (4)
Poner a Adrien Brody y Mark Ruffalo como hermanos es un error de casting. Y ni hablar del hecho de que ninguno de estos señores es ideal para el género de comedia. Rachel Weisz salva bastante y da un tono fresco a la película. La película tiene un escenario como el de la carismática película policíaca La trampa y una imagen de la locura del «sombrero» de Los vengadores. No es una listilla que va un paso por delante del espectador como le gustaría ser, pero tampoco ofende porque no se toma completamente en serio a sí misma. Otra película chill-out olvidable en la que no invertiría si fuera productor.
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I didn't enjoy this one very much. Adrien Brody is an actor nobody cares much about anymore, and Mark Ruffalo is only making money thanks to the Hulk in the MCU. So I don't find this duo very funny, and it's more of a crime story about two con-artist brothers. Nothing much interesting happens in the film, it's not smart or even very entertaining let alone funny. The only thing worth mentioning was the strange reclusive Rachel Weisz, who was great. 45%
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I enjoy well-crafted absurd dramas, and this initially developed into one of those theatrical dramas, albeit in a grander, cinematic presentation. Unfortunately, in the second half, the film loses its momentum because it tries too hard with the story and emotions. Yet up until then, it was very well set up. Suddenly, even the absurdity disappeared, which was a shame.
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I understand that Rachel and Adrien wanted to see the sights of Prague, but did they really have to sign up for a movie where even brain-dead viewers are always ten steps ahead of the characters? The result isn’t improved by the vain attempt at copying the poetry of Wes Anderson. It falls very short in terms of poetry and atmosphere (these show through in just a couple of scenes and is these that suggest that if the whole movie had been that good, it would have made up for the unfortunate screenplay) and it is just weird and stupid. Really weird and very stupid. Not to mention the killing length of it, considering nothing happens for the whole last half hour.
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