Director:
Andy MuschiettiGuión:
Christina HodsonCámara:
Henry BrahamMúsica:
Benjamin WallfischReparto:
Ezra Miller, Michael Keaton, Sasha Calle, Ben Affleck, Michael Shannon, Kiersey Clemons, Maribel Verdú, Ron Livingston, Jeremy Irons, Rudy Mancuso (más)Streaming (5)
Sinopsis(1)
Los mundos colisionan en Flash cuando Barry utiliza sus superpoderes para viajar en el tiempo con el fin de cambiar los acontecimientos del pasado. Pero cuando su intento de salvar a su familia altera inadvertidamente el futuro, Barry queda atrapado en una realidad en la que el General Zod ha regresado, amenazando con la aniquilación, y no hay superhéroes a los que recurrir. A menos que Barry consiga sacar de su retiro a un Batman muy diferente y rescatar a un kriptoniano encarcelado... aunque no sea el que está buscando. En última instancia, para salvar el mundo en el que se encuentra y volver al futuro que conoce, la única esperanza de Barry es correr por su vida. Pero, ¿bastará con llevar a cabo el sacrificio definitivo para reiniciar el universo? (Warner Bros. España)
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Reseñas (12)
En esta fase, DC está llegando a su fin lentamente y Flash parece casi un canto del cisne. Pero no se preocupe, todavía tenemos Aquaman and The Lost Kingdom y Blue Beetle, ¡que estoy seguro de que todos esperan con ansias! Comparar esto con Marvel en estos días es como saltar de la sartén y dar en las brasas, pero aquí Spider-Man: No way home literalmente grita. Aunque es bastante divertido, toda la trama que mezcla varias líneas de tiempo y espacio empieza por el hecho de que el personaje principal se comporta como el idiota más irresponsable del mundo, y todo lo que sucede después de eso es solo una acción irreflexiva para el efecto. El fanservice exagerado de alguna forma satisfará a muchos fanáticos, por otro lado, los efectos digitales muy fallidos pueden sorprender a algunos, pero por lo demás es un espectáculo de cómics completamente promedio, cuya existencia probablemente olvidaremos dos días después de la proyección.
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Visually, it often looks worse than excrement, the quality of the humour highly surpasses the bar of awkwardness already in the opening sequence with the babies and doesn't dip below it for the rest of the film, and Ezra Miller is the most annoying, sleazy superhero I can remember, and as if that wasn't enough, he's here twice. And perhaps because of this off-kilter combination of strange creative choices, I actually ended up enjoying it more than I ever dared to expect. I just can't see The Flash as being another rank-and-file comic book film, it feels more like a parody, like the Hot Shots comic-book adaptations (thanks to which it’s not a problem that it doesn't make much sense). God forbid that someone would follow it up in style to set a trend (which won't happen given the box office flop), but as a one-off, for me, it’s quite the guilty pleasure.
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I find that I get bored with these comic book movies, unless it's an R-rated movie in the style of Suicide Squad or Deadpool . This one is just another in a line of mediocre originals where a couple of old characters (Keaton and Shannon) are enjoyable, but otherwise I wasn't too blown away. The humour didn't work for me, and I only liked two of the the action scenes (the opening slow motion scene with the babies is fun). The finale itself is decent too, but everything in between doesn't really stick and flows along without much interest, though it was a bit more fun than Doctor Strange. The multiverse is presented surprisingly more clearly here than in Marvel. As a one-shot, The Flash is okay, but nothing I keep coming back to. 6/10.
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An express train you have to run towards. It's easy for me because I enjoy getting past Ezra Miller's personal life and I can just enjoy how authentic and at the same time neurotic it seems again. He saved Justice League from being unwatchable and he also succeeded here easily. However, since it didn't catch on with the viewers, this is not only the end of him as a hero with a lightning bolt on his chest, but probably also as an actor in major roles and films, and I find that really hard to reconcile myself to. Flash's cursed solo movie is problematic even without a controversial opinion about the main protagonist. It combines witty humor, pathos-filled family drama, and multiverse. A film that wanted to introduce parallel worlds a few years ago now comes as a miss; considering the repeatedly postponed production and changes in the creative chairs, it didn't manage to pave the way to playing with them. I am all the more pleased that even the little that they did manage to accomplish actually works. Looking back into the past rarely fails and the nostalgic sighs for those who are no longer with us fit incredibly well in relation to the main story arc. However, you have to admit that it's not worth pondering too much about the major guest appearances (unfortunately revealed long in advance), namely the participation of the old Batman and the new addition from Krypton. The presence of the grey-haired protector of Gotham will undoubtedly bring tears to somebody's eyes, but as soon as I try to connect the meaningfulness of the aforementioned duo's participation and its (non)impact on the final outcome of the story and the time paradox, I feel perplexed because their participation as a whole seems rushed. Similarly, the possibilities of expanding, rebuilding, or simply throwing the DC publisher's universe adaptations back to the beginning were unprecedented – and nothing happened at all. This temptation, therefore, falls on barren ground and turns Flash into an adventure, fun, enjoyment, and an emotional ending, but never into the giant event that it promised to be for all these years. 70%
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I was hesitant about watching this film. DC has always left me a bit skeptical, although my doubts are slowly fading with each new release. Plus, Ezra Miller, who’s not exactly Hollywood’s most beloved face, plays the lead. But I was wrong. DC is rising from the ashes and might just be digging Marvel's grave. Flash turns out to be an incredibly enjoyable, laid-back movie that truly earns its blockbuster status. Despite his controversies, Miller delivers a surprisingly likable performance in a dual role. The film is packed with fantastic references to various parallel dimensions that will thrill any fan, especially with the return of Michael Keaton. Overall, this movie is an unexpectedly good superhero adventure with the classic time paradox theme, making it even more delightful if you didn't see it coming. It certainly delighted me.
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