Director:
Chris SivertsonGuión:
Jeff HammondCámara:
John R. LeonettiMúsica:
Joel McNeelyReparto:
Lindsay Lohan, Julia Ormond, Neal McDonough, Garcelle Beauvais, Kenya Moore, Eddie Steeples, Michael Papajohn, Brian McNamara, Donovan Scott (más)Sinopsis(1)
Aubrey Fleming (Lindsay Lohan) was living the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but changed. She is missing limbs, but has gained a new personality - that of bad girl Dakota Moss. Her parents and the FBI think she's suffering from delusions, but if Dakota is just a trick of her mind, why do strange wounds keep appearing on her body? Desperate and alone, Aubrey must now unlock family secrets to unmask a mysterious killer with a deadly obsession. (texto oficial de la distribuidora)
(más)Reseñas (2)
At first glance, the script has several problems. The first - and biggest - is the dialogue. In some scenes, they are incredibly stupid, which significantly diminishes the impression of what the viewer is watching. In the end, the dialogues are not even performed particularly well. The second problem is the insertion of completely unnecessary scenes for effect. And these scenes aren't even particularly good or genuinely effective. Couldn't Lindsay at least take her clothes off? What the film manages to do reasonably well is maintain suspense, as for a considerable time you won't know what's happening. That's good, because there's not much else to interest you. Then it all comes down to the twist and how it is executed. Unfortunately, even that isn't groundbreaking, and the film shows that it lacks any structure leading up to the twist. It's as if they just shot in the dark, and it happened to make a bit of sense by chance.
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Creo que a Lindsay Lohan le va mucho mejor en este filme, Naturaleza muerta, que en películas como Herbie: A tope o Entre chicas. Sin embargo, prefiero sus comedias. El mayor defecto de este thriller radica en la falta de equilibrio para mantener la tensión, no logra cautivar al espectador para que contenga la respiración con emoción. Justo cuando comienza a ser interesante, la trama se detiene como si apareciera un baile de un bar de striptease o un recuerdo repugnante de tortura. Y Lindsay Lohan en la posición a horcajadas sin brazo ni pierna, ¡seguramente es solo para conocedores!
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