Director:
Tim BurtonGuión:
Linda WoolvertonCámara:
Dariusz WolskiMúsica:
Danny ElfmanReparto:
Mia Wasikowska, Johnny Depp, Anne Hathaway, Helena Bonham Carter, Alan Rickman, Crispin Glover, Michael Sheen, Geraldine James, Christopher Lee (más)Streaming (4)
Sinopsis(1)
Alicia (Mia Wasikowska) es una chica de 19 años que regresa al mundo mágico donde se adentró siendo una niña para reunirse con sus antiguos amigos: el Conejo Blanco, Tweedledee y Tweedledum, the Dormouse, the Caterpillar, el gato de Cheshire, y por supuesto, el Sombrerero Loco (Johnny Depp). Alicia se embarca en un viaje fantástico para encontrar su verdadero destino y poner fin al reinado de Terror de la Reina Roja (Helena Bonham Carter). (Disney España)
(más)Videos (12)
Reseñas (15)
Un largometraje de Disney bien producido y por dentro estéril, con un excelente maquillaje y solo la mitad de la participación de Tim Burton.
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Yo no era un fanático de esta famosa novela en mi infancia, así que lógicamente no corrí al cine cuando Tim Burton la adaptó a la gran pantalla. Inesperadamente disfruté aún más la película muchos años después. Al fin y al cabo, la historia de la adaptación se diferencia de la novela: no es aburrida y ofrece un festín visual tradicional. Anne Hathaway como la Reina Blanca es increíblemente hermosa, la luz y la oscuridad en ella están muy bien insinuadas. Helen Bonham Carter es asombrosamente repulsiva. Una avalancha de famosos de actores británicos apenas ofrece su voz, pero incluso eso es suficiente.
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The renowned king of bizarre worlds has finally embarked on the most famous journey yet, and though he couldn't live up to the huge fan expectations, he certainly entertained with a trip from a classic story, with slight modifications. However, surprisingly, everything depends on how much attention Johnny Depp attracts. His Mad Hatter is not just a supporting character, but an equal protagonist who almost outshines the amazingly furious Red Queen or the likeable Alice herself. **Spoilerish PS**: Even I was surprised by how much I was saddened until the confirmation in the second half that Burton didn't go completely against the rules and didn't let Alice stay with the Mad Hatter. That unspoken romantic bond was screaming for it.
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When the most likeable character in a fairytale is the main villain, it’s impossible to avoid the feeling that something went bloody wrong. Alice in Wonderland is a run-of-the-mill film in every aspect, though some people may appreciate Burton’s signature, even if here it’s neutered. Not me, though. Kids will probably like it, it’s not utterly bad.
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Burton didn't tell a story, he simply narrated. The most frequently asked question by me was why the film is not fully animated, since everything is as artificial as the interior of a Chinese car. In the overload of "Burton-esque visuals," completely in CGI, everything is lost... except for Mia Wasikowska, who carries the whole confused (!!) mess to the end. This time, that’s liberation. It’s sterile, boring, kitschy, plastic... the perfect repellent for viewer empathy.
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Galería (302)
Foto © Falcon
![Alicia en el País de las Maravillas - De la película](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/000/167/167334_3261fc.jpg)
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