La casa del diablo

Tensión construida honestamente. Hoy en día, ya no estamos acostumbrados a ver un juego de terror tan puro (las actividades paranormales son impresionantes, pero son una porquería). La película supera a todas las casas y amityville, y rinde homenaje a una etapa histórica del género en las huellas de los años 80 perfectamente capturadas. Es una pena que la conclusión a la que se dirige con tanta concentración y con tantas expectativas crecientes en el espectador, al final no logra satisfacer. (05.12.2011)

This is the kind of stuff I can really love every now and again! A fantastic recreation of the atmospheric occult horror movies from the turn of the 1970s and 80s; from the music, through the credits, to certain nice screenplay tropes (What does the heroine do in a key moment? Yes,… – I don’t want to spoil it). If you’re used to modern horror with a cheap jump-scare every five minutes to keep your attention, this film will be hell, in the good and bad sense of the word – it depends on how you take it. The atmosphere is built with long shots of the heroine slowly walking through an empty cottage, with nothing but oppressive music and a weird noise here and there – and no jump-scares. Some people will fall asleep with this (most viewers, I think), but others will feel as tense as a violin string. Given the rating, which group I belong to is obvious. The more viewer friendly and action packed last fifteen minutes are fairly over the top in a nice way, but they don’t surpass the atmospheric inferno of the second act. (31.10.2009)

It's that kind of peculiar horror that can either completely floor you with its stylization or leave you cold, watching it simply because it's a rather original horror film. There are dull moments in it, but there are also good ideas that overall create a unique picture that will definitely not leave you indifferent. (11.12.2014)