Director:
Jon TurteltaubCámara:
Bojan BazelliMúsica:
Trevor RabinReparto:
Nicolas Cage, Jay Baruchel, Monica Bellucci, Alfred Molina, Toby Kebbell, Ethan Peck, Teresa Palmer, Omar Benson Miller, Jake Cherry, Gregory Woo (más)Streaming (4)
Sinopsis(1)
Balthazar Blake (Nicolas Cage) es un alto hechicero en el Manhattan de nuestros días que intenta defender la ciudad de su archi-enemigo Maxim Horvath (Alfred Molina). Balthazar no puede hacerlo solo, así que recluta -a su pesar- a Dave Stutler (Jay Baruchel), un chico normal pero que oculta un gran potencial para que sea su protegido dándole un curso de inmersión en el arte de la antigua magia. Juntos deberán vencer a las fuerzas de la oscuridad. Dave tendrá que echar mano de todo su valor para sobrevivir al entrenamiento, salvar la ciudad y conseguir a la chica mientras se convierte en "El aprendiz de brujo". (Disney España)
(más)Reseñas (10)
Except for the exaggerated runtime and the rather unsympathetic main character, I have practically nothing to complain about regarding The Sorcerer's Apprentice. The film was exactly what I expected it to be. Entertaining, digitally spectacular, funny (sometimes a lot ---> quotes from Star Wars and Raiders of the Lost Ark, the line "Are you someone from Depeche mode?"), well acted for easy family entertainment (except for the aforementioned apprentice), and sometimes even action-packed (the car chase) and harmless. Cage and Molina won't disappoint their fans, and Monica Bellucci certainly won't either, although she isn’t on screen for very long. Turteltaub directs skillfully and briskly, helped a lot by Rabin's music (but it doesn't impress when listened to on its own). If you want Hollywood popcorn entertainment, you'll get it. He who spits in anger can only curse himself. Nobody was expecting The Prestige 2, were they?
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Bastante entretenida y con muchos trucos digitales caros para la vista (que al final mejoran la impresión general), pero también desdentada y encima con un protagonista torpe. Hay tantas ilógicas en la historia, que el número de niños africanos hambrientos parece una cifra insignificante a su lado. Las pocas buenas ideas quedan ahogadas por el hecho de que un número mínimo de hechizos se repite una y otra vez y de que todo el conjunto es excesivamente complicado y a la vez predecible que a uno le da vergüenza. Además, Turteltaub no sabe rodar una pelea entre dos magos ni cualquier escena de acción parezca ni remotamente interesante. Básicamente lo mismo que Airbender: El último guerrero, pero a esa le di al final 3 estrellas, porque al menos me reí un rato.
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Sympatický dlouhovlasý kouzelník v podání Nicolase Cage, který se musí několikrát utkat se znamenitým padouchem s tváří Alfreda Moliny, kouzla, čáry, One Republic, sem tam vtipná hláška, nejvíce se mi líbilo kouzlo se zrcadlem. Jen mi chybělo více čardoějů - ta Morgana jich sakra mohla vypustit víc.
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The first half is undeniably awesome! Cage has a big mane on his head after thirteen years and is cooler than ever, Baruchel is a nerdy dork and Molina's slimy villain is best of all. But then the rules are laid down, Turteltaub starts repeating everything (can they really do no more than throw plasma balls at each other!?) and the wit and perspective disappear. The finale is as breathless and boring as the bulldog. It’s a sad state of affairs when, after less than an hour, you still think you’d love to give this "Bruckheimer popcorn" four stars.
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Too much of a bet on certainty. There have been many modern action-romantic fantasies in recent years, but not every one can be made into a saga. This one definitely won't be. It's not a disaster, but almost everything has been seen better elsewhere. Nicolas Cage stands out the most in the film, as if he were born for Jon Turteltaub's films, but he will shine even more in National Treasure 3. The few modestly positive impressions are thanks to him, the "flash" version of "Secrets" by OneRepublic, and the unexpected reference to the classic Disney short.
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Back in movie theatres after a long time. I can't say I regretted the price of admission, since my parents paid it for me, i.e. I went to take my younger sister out. It reminded me of other movies (like Beauty and the Beast) at several points. As early as the very intro, where the betrayal occurs, I was already laughing; but it was so good, I got past it. Then the year 2000, where even I was enthralled by the drawing on the glass of the school bus, then just routine and blah blah. Thankfully, the boy grows up, time passes, and we have 2010, where of course what everyone expects happens. Yes, please turn your brains off and you'll be entertained, but unfortunately mine turned on a few times and I had to make a sarcastic remark here and there (my sister liked them, I don't know about the rest of you who heard me). By the end, I was praying there wouldn't be another instalment (even though the creators left a way in). Otherwise, the weird wizard was resurrected exactly as I expected; we need people like Dave in our health care system... :-D The acting was average (only Dave delivered at times, I'd say, especially when he got the same look on his face that my uncle gets when he gets drunk, I really give positive points for that, not just anyone can do that...). And the three songs are worth downloading.
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I hereby declare Teresa Palmer the beauty of the year. Otherwise, The Sorcerer’s Apprentice is a fine fairytale, spoiled by Turteltaub’s directing. Jerry should look for somebody more capable. Cage plays a pleasant weirdo once again and Jay Baruchel does a good job too. Is there any other movie where a mop saved the day? Give me the doll!
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A teenage fantasy (for teenagers). It's not a bad film, but it's too specifically targeted and can't even be considered a family film. The best actors (Monica Bellucci, Alfred Molina) unfortunately play only second fiddle.
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Overall, The Sorcerer's Apprentice struck me as a mix of Harry Potter and some teenage sugary stuff. The effects were great and I have absolutely no complaints. Nicolas Cage, Alfred Molina, and Monica Bellucci fit their characters for me, but Jay Baruchel pretty much sucked - as did a lot of others there. In the end, this is a typical American commercial fantasy film with a predictable plot, mostly good actors and solid effects.
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I like Nicolas Cage. I'm not ashamed of it at all, and basically, any movie with him somehow catches my interest. Sure, this isn't a role like in Kick-Ass, but this mentoring pose suits him quite well. The film is a classic entertaining blockbuster, and I don't have much against it. It's not perfectly crafted or super original in terms of story, you just need to watch it once, but for that one viewing, it was a fun time.
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