Director:
George NolfiGuión:
George NolfiCámara:
John TollMúsica:
Thomas NewmanReparto:
Matt Damon, Emily Blunt, Anthony Mackie, Michael Kelly, John Slattery, Lauren Hodges, Terence Stamp, Dan Marshall, Jon Stewart, James Carville (más)Streaming (4)
Sinopsis(1)
David Norris es un ambicioso político a punto de conseguir un asiento en el Senado de Estados Unidos, cuando conoce a la guapa bailarina de danza contemporánea Elise Sellas, una mujer totalmente diferente de todas las que ha conocido hasta ahora. No tarda en darse cuenta de que se está enamorando de Elise, pero unos personajes misteriosos hacen todo lo posible para apartarlos el uno del otro. David comprende que se enfrenta a los agentes del Destino, los hombres del "Adjustment Bureau" (Oficina de Ajustes). Están dispuestos a usar el considerable poder del que disponen para impedir que David y Elise se unan. Parece que lo tiene todo en contra y no le queda más remedio que escoger: dejarla marchar y aceptar el camino predestinado o arriesgarlo todo y enfrentarse al Destino para estar con ella. (Universal Pictures España)
(más)Videos (3)
Reseñas (12)
Lo siento, pero cuando alguien está destinado a algo grande, ¡no debe perder tiempo con el amor destinado a consolar a los mortales a tientas! :-) De todos modos, un buen cruce de géneros, que coloca la trama romántica trillada en un entorno original y lo expande de una manera interesante con pensamientos cautivadores sobre el destino. Una semana después de verla, subo a 4* por la originalidad. Si hubiera otro final triste, las daría de inmediato.
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A nice surprise. Damon and Blunt are strong together, and Nolfi's attempt to diversify the romance of the (ex)congressman and dancer with the sci-fi element of "destiny controllers" worked, especially since his retro approach shows exaggeration, not an attempt to extract something extremely effective from Dick's story. Against each other stand a politician in love and a cute bunch of officials in hats, in whose scuffed notebooks a clear probabilistic map of the world is written. If we stop looking for philosophical consistency or logic in this, The Adjustment Bureau will reward us with a surprisingly fresh mix of thriller and romantic drama. Unlike 500 Days of Summer or Eternal Sunshine of the Spotless Mind, the film doesn’t quite have poetics, but debutant Nolfi is very skilled and knows what he wants to shoot. After my initial skepticism and sarcasm (four old men in bucket hats run the world? WTF?) I just had a great time (although with my eyebrows raised every now and then), which I don't usually do with film love stories. Points for Nolfi. P.S. I finally understand where Mr. Tau came from.
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I will gladly appreciate any interesting and original Hollywood screenplay. The Adjustment Bureau has exactly this kind of unusual screenplay, which on one hand is full of clichés, but on the other hand also full of ideas that are nice to think about. Matt Damon and Emily Blunt performed their standard and they fit perfectly into the film. It is full of great ideas and open thoughts, which will always remain just thoughts. But they are thoughts that are worth considering.
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A story from life. Except for the fact that my "angels" don't wear stylish hats. Plus there’s the excellent Damon, the great Blunt, a good soundtrack, and on top of that the visual fetish of Manhattan. Maybe in time, it will fade, but now it hit harder than anything else in the last year or so. [Spoiler possibility: I'll have to read Dick’s book, if only for the fact that I’m interested to see if the same wave of positive feelings spills over at the end as with the movie. :)]
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Most people say it’s a pleasant surprise, but I knew at the beginning of the year that The Adjustment Bureau would be a hit, so the resulting 70% impression remains slightly below my expectations. In any case, it’s a pleasant and playful film in every sense. The outlined mythology of the gentlemen with hats is interesting and I would love to look deeper into it, maybe at the expense of the romantic retro line of a man in trouble and a woman unaware. But I’m being unnecessarily critical. The Adjustment Bureau works perfectly as a romantic sci-fi/fantasy snack, there’s no reason to complain. The ending it’s a pity, though, everything is sorted out almost too smoothly. A successful début no doubt.
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