Director:
Olivier MegatonCámara:
Romain LacourbasMúsica:
Nathaniel MéchalyReparto:
Liam Neeson, Famke Janssen, Maggie Grace, Rade Serbedzija, Luke Grimes, Leland Orser, Jon Gries, D.B. Sweeney, Ergun Kuyucu, Laura Bryce, Alain Figlarz (más)Streaming (3)
Sinopsis(1)
Liam Neeson vuelve como Bryan Mills, el agente de la CIA retirado cuyas habilidades imparables salvaron a su hija Kim de unos secuestradores albaneses. Cuando el padre de uno de los secuestradores jura venganza, y coge tanto a Bryan como a su esposa como rehenes durante sus vacaciones en Istanbul, Bryan recluta a su hija Kim para ayudarles a escapar, utilizando el mismo nivel avanzado de habilidades tácticas especiales para poner a salvo a su familia y reduciendo a los secuestradores uno a uno. (20th Century Fox España)
(más)Videos (12)
Reseñas (8)
No me cabe en la cabeza cómo una de las personalidades más importantes del cine europeo puede poner su firma en un guión como este.
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El número uno es inigualable, no tiene sentido discutir sobre ello. Sin embargo, el número dos no me pareció tan terrible y aterrador como temía según las calificaciones, comentarios y críticas. No tenía el impulso correcto, el comienzo fue lento y largo, y la acción y el final no fueron tan emocionantes. Aun así, Liam Neeson no puede recibir de mí dos calificaciones aterradoras seguidas :-) Aún así, no fue tan aterrador y doloroso como Todos los caminos llevan a la tumba.
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Actually, I don’t know what I was expecting. Taken was an amazing action movie, where Liam Neeson showed me for the first time what a tough guy he is. The revenge in Taken 2 began already in the first instalment and had nothing new to offer. The first instalment came to a conclusion and this one was mostly about making money. At least it seemed so. It would be okay if the camera wasn’t shaking so much that it made the action disappear and after watching the movie all that stayed in your head were endless ticks and uncontrollable moves from side to side that you couldn’t stop for the whole evening. Sometimes I can accept a shaky camera, but it all matters on the quality of the filmmaking. Sometimes it seems okay, other times it makes me want to kill someone. This movie suffered the usual syndrome of sequels. Make a cooler movie with more action but as cheaply as possible. Or as expensive as possible? I don’t really know. The first instalment was more raw, more real, natural and most of all more comprehensible than this useless flick which really disappointed me.
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The "Bryan Mills" franchise is supposed to be a Europacorp showpiece, so I consider the retarded script, overflowing with pointless clichés and directorial bullshit that absolutely fails to understand the point of a great character, as the perfect counterpoint to the pro-customer approach. I also consider the fact that in many ways it literally merges with its main source of inspiration as just a greedy attempt to make a buck without any major creative merit. Corporate film par excellence.
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I should have expected this. Liam Neeson is still cool and I still enjoy his bloody solutions to problems. Maggie Grace isn’t as tiresome as in part one and the driving school episode is pretty funny. The rest is just painful, a sequel based on public demand, directed by action-bungling Olivier Megaton, and the result is as it is. Sometimes it aspires to being a Bourne, sometimes a Bond, but Bryan has his own way of doing things. We saw that in Paris. With any luck, part three will set things straight. And the remaining two sons are fine pieces of work who will make decent enemies for the aging Neeson.
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Galería (63)
Foto © EuropaCorp. Distribution / Magali Bragard
![Venganza 2: Conexión Estambul - De la película](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/035/161035495_9b35e7.jpg)
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