Director:
Danny BoyleReparto:
James Franco, Amber Tamblyn, Kate Mara, Lizzy Caplan, Clémence Poésy, Treat Williams, Pieter Jan Brugge, Amy Savannah, Kate Burton, Lonzo Liggins (más)Streaming (4)
Sinopsis(1)
Basada en la historia real de Aron Ralston, que se encontraba explorando el cañón Blue John, cerca de de Moab, Utah, cuando un peñasco se precipitó al vacío, atorando su antebrazo derecho y aplastándolo. Tras intentar levantar o romper la piedra durante cinco días, bebiendo su propia orina como consecuencia de la falta de agua, Aron creyó que iba a morir y decidió dejar constancia de ello tallando en la roca su nombre, su fecha de nacimiento y la fecha de muerte. Tras ello, grabó con su videocámara una breve despedida para su familia. Pero, tras ello, las ansias de vivir se apoderaron de él y decidió hacer un último esfuerzo, rompiendo su radio y su cúbito con una roca, y cortando con su navaja multiusos la carne y los músculos. (20th Century Fox España)
(más)Videos (4)
Reseñas (17)
Con el tiempo, aumento para 5* «subjetivas», porque ser de mi gusto. Una vez más, Danny Boyle demuestra su originalidad creativa y su capacidad para contar prácticamente cualquier historia a través de juegos audiovisuales. En el drama de cámara, según un hecho real y con un solo actor en la escena, no evita los fuertes filtros de cámara, los aceleradores, la división de la imagen en varias partes, o los constantes saltos de flashbacks. Son ayudas que podrían parecer inapropiadas y disruptivas en una película de este género, pero gracias a ellas, el desarrollo de 127 Horas no es lento, no aburre ni un momento, y al mismo tiempo no baja en lo más mínimo la concentración en el estado de ánimo del personaje principal. Una gran película, casi excepcional, cuyo final evoca lágrimas de felicidad.
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Yeah, Boyle and Franco probably did the best they could under the circumstances, but the fears I had before the screening turned out to be true: the premise is good for an autobiography, but not for a feature film. To allow the camera to leave that unfortunate wedged guy at least for a while, the script includes flashbacks and hallucinations that are pretty annoying and pathetic, though I understand the dramatic reasons behind them. But, considering the possibilities the creators had, the film is very brisk and energetic and Boyle again shows his strength: the blend of music and images. The ending (when the “action” is behind) managed to arouse some emotions. However, I still have mixed feelings about 127 Hours and I would love it if next time Danny chose more story-rich material. 7/10
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It can be argued that 127 Hours has no great overlap, and that it is simply a post-modern stylized testimony of courage and desire to survive. It can also be argued that subliminal stressing of fate and miraculous hunch smacks of melodramatic cheesiness. A lot can be argued about, but what really counts is the experience. Pain, despair, fear, and above them a triumphant animal desire to escape and live, no matter what it takes. And 127 Hours has plenty of raw experiences to give. That's why this is an exceptional film and one of the most intense experiences of pain I've ever experienced in a movie theatre (Gibson and his biblical exploitation should study how it's done "for real").
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After the third screening, it's clear to me: this film has matured and offers much more than a first superficial viewing might suggest. What hightlights it above all is its playfulness. It’s packed with so many directorial ideas and visual tricks, visual and sound games (functional flashbacks, image splitting, refreshingly chosen music) that watching its atypical narrative is a joy – this despite the slightly morbid climax. James Franco is a great actor in this film, and Danny Boyle is a genius.
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This is Touching the Void in a more cinematic, but less emotional package. Boyle cuts back on the poignant sequences and instead serves up a minimalist tale of one self-centered fop for whom a smaller rock was waiting to show him that ego isn't everything. The cinematography, music, editing, and especially the acting are incredibly captivating for the entire ninety minutes, even if all of this can be summed up in a single sentence. Maybe this is how you recognize good filmmaking, and maybe this is what works better than all the sad sights from the slums. But then again, it doesn't collect gold-plated statuettes.
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Galería (96)
Foto © Fox Searchlight Pictures
![127 horas - De la película](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/166/114/166114120_9b43b9.jpg)
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