Director:
Tom McCarthyGuión:
Tom McCarthyCámara:
Oliver BokelbergMúsica:
Lyle WorkmanReparto:
Paul Giamatti, Amy Ryan, Bobby Cannavale, Jeffrey Tambor, Melanie Lynskey, Alex Shaffer, Nina Arianda, Sharon Wilkins, Margo Martindale, Burt Young (más)Streaming (2)
Sinopsis(1)
Mike Flaherty (Giamatti), un abogado sin demasiada suerte en su trabajo, cuyo tiempo libre lo dedica a entrenar a los muchachos de una escuela de lucha libre. Todo cambiará cuando asuma la tutela de un viejo cliente con la esperanza de mantenerse a flote y sacar de apuros a su familia. Cuando el nieto adolescente de su cliente, toda una promesa deportiva, escapa de casa y toca el timbre de su abuelo, la vida de Mike dará un giro completo, ya que su apuesta ganadora se antojará mucha más compleja de lo que esperaba. (20th Century Fox España)
(más)Videos (3)
Reseñas (2)
Paul Giamatti is a great actor and with Win Win he proved it again. Thanks to him, but also thanks to the other actors, this film is presented in a way that keeps you entertained. Even though it's about growing up, about how we can fuck up our lives, it's presented in such a way that you won't feel like you've seen this a hundred times before.
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Wii-n Wii-n. A drama about the path to a great victory. On a small scale. The indie background of festival darling Thomas McCarthy is brought to light by the film’s very slow pace and its reluctance to get going. Otherwise, anyone who has seen at least two Hollywood sports dramas will find the plot to be as transparent as the glass in a trophy case. Unlike The Station Agent and The Visitor, Win Win did not appeal to me at all, despite being more complex in its interest in the broader context of its characters’ bad mood (crisis, stress, pressure and such). I didn’t care why Giamatti is in trouble, how he got into it or how he plans to get out of it, i.e. how he fills his sterilised life. He’s not a suitable actor to play an “average Joe” character, and his mediocrity here manifests as absolute uninterestingness, which is a word that could be applied to the film as a whole. 50%
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