Director:
Rudolf HavlíkGuión:
Rudolf HavlíkCámara:
Václav TlapákReparto:
Pavel Batěk, Vica Kerekes, Filip Blažek, Jiří Lábus, Klára Issová, Jan Přeučil, Michal Kavalčík, Ladislav Županič, Anna Kulovaná, Petr Batěk, Karel Zima (más)Sinopsis(1)
Long in the making, this contemporary tragicomedy tells the story of globetrotter and businessman Petr, his close friend Tereza and a myriad other women the fickle adventurer likes to surround himself with. His latest deal, however, doesn't go well at all and, apart from a gang of thugs, he's also hounded by his own conscience. (Karlovy Vary International Film Festival)
(más)Reseñas (7)
There wasn't as much romance as usual, but a typical Czech cringeworthy attempt at a dramatic action scene ruined everything. The writing was pathetic, just like I had expected, and so were the acting performances, thanks to which Filip Blažek clearly stood out as a star. The subplots were quite bizarre. I couldn't find a reason to give it a single star. Still, if Rudolf Havlík made a fifteen-minute short film in which Pavel Batěk and Filip Blažek brutally beat Michal Kavalčík, I would immediately give it five stars and add it to my top ten. / Lesson learned: Every psychologist should have their own psychologist.
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Una historia mal contada con un personaje principal antipático que actúa como el mayor de los idiotas y al mismo tiempo de vez en cuando suelta alguna pomposa y pretendida sabiduría filosófica en frecuentes voces en off. El argumento es tonto y las tramas «cómicas» no funcionan (en total me reí dos veces). El mejor personaje es el amigo del protagonista, interpretado por Filip Blažek, que es un bonachón. Porque si tuviera que conducir de Praga a Prachatice y viceversa y luego volver a Ostrava cada vez que el protagonista quisiera, sinceramente me rendiría. La película no es mala en cuanto a cómo está hecha, pero es pésima en cuanto a su contenido.
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U debutů bývám vždy shovívavější. Rudolf Havlík to sám vymyslel, napsal a zrežíroval. Dalo by se tomu spoustu vytknout, zvláště scénař by si zasloužil trochu zkušenější scénaristickou ruku, ale já bych raději vyzdvihnul to pozitivní. V první řadě jsou to slušné herecké výkony. O hereckých kvalitách Pavla Baťka ví všichni divadelní a patrně seriáloví fanoušci, Vica si střihla trochu jinou roli, než na jakou jsme u ni zvyklí a taky jí to pěkně sedlo. A potěšily i vedlejší role - Lábus, Přeučil, Blažek. A co je hlavní, v rámci hudebního festivalu jsem se příjemně odreagoval a několikrát hlasitě od srdce zasmál. Nejvtipnější scény se týkaly omráčení a kleptomanie. Celkově se to pohybuje mezi třemi a čtyřmi hvězdami, ale za ten debut a dobrou náladu zvedám nahoru. Druhý Havlíkův film bude již určitě scénáristicky jistější.
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This looked interesting already in the trailer, which was confirmed by the movie itself. The plot has some holes in it, but it’s bearable. That is, if you don’t mind that the protagonist has an accident in a field close to Prachatice, and his friend coming for him from Prague takes like five minutes to get there. And the same goes later for Brno and Ostrava, as if every city in our country was just behind the corner. Anyhow, it is filmed well and the actors were incredibly entertaining. I hope to see Pavel Batěk, Filip Blažek and Vica Kerekes in more movies in the future. They are easy on the eyes and very good actors.
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When the cosmopolitan poster appeared in the summer months, the only question of uncertainty was whether the proclaimed faces could withstand such a project in Czech conditions. Surprisingly, both Vica Kerekes and Pavel Batěk are up to it. Vica can play a distinctive and sexy girl without cheap vulgarization and Batěk is an interesting alternative to the main protagonists of today, although he is the same visual type as Matěj Hádek. The third main character is played by Filip Blažek, who, after years of theater and TV work, also knows how to find a suitable position that does no harm and is fully helpful to the whole. Issová and Přeučil took the supporting roles just to make sure, and the only one who again didn't pay attention to anything integral and created an original acting etude on the theme was Lábus, but that's why we all like him so much. So, in sum, can a Czech-Slovak film travel from Prague to Brno, Ostrava, and Beijing and still remain interesting, suspenseful, and believable? And also deal with a cliffhanger of a gradation that is unmatched even by the world's best melodramas? Yes, it can. I’m thankful we have it. Cosmopolitanism be damned, this year I'd like to see All My Tomorrows as the favorite to receive the award for best Czech film.
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More Czech films like this, please, but with a better script. All My Tomorrows is a skillfully shot and acted air vacuum, which benefits from several "proven" clichés (especially the main romantic plot is horrible) and takes away the unusual things and characters that deserve more attention (especially the mafioso Jiří Lábus). Rudolf Havlík has talent.
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I don't know if it was really meant to be a comedy, because it doesn't really work in that way in my opinion, but it does work as a romance, and it has a little bit of something grittier, but again it doesn't go beyond that. Vica is unfortunately quite annoying here, although she still looks incredibly good. The characters overall failed to draw me in that much. The filmmakers are good.
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