Director:
Jeong-beom LeeGuión:
Jeong-beom LeeCámara:
Tae-yoon LeeMúsica:
Hyun-jung ShimReparto:
Bin Won, Sae-ron Kim, Hyo-seo Kim, Hee-won Kim, Seong-oh Kim, Thanayong Wongtrakul, Tae-hoon Kim, Jong-pil Lee, Min-sung Jung, Do-won Gwak, Jae-yun Jo (más)Sinopsis(1)
Tae-shik (Won Bin) es un prestamista que vive sólo en un edificio donde su única amiga es So-mi (Kim Sae-ron), la hija de 10 años de su vecina que trabaja como bailarina exótica. Un día ésta comete el error de robar un paquete de droga a unos mafiosos y esconderlo en casa de Tae-shik. Al descubrirlo, los mafiosos destrozan su casa y secuestran a la niña y a la madre, obligando a Tae-shik a hacer una peligrosa entrega para ellos. Pero lo que estos no imaginan es el oscuro y violento pasado de Tae-shik, y el infierno que desatará a su paso con tal de liberar a su joven amiga. (Mediatres Estudio)
(más)Reseñas (4)
I loved the determination from beginning to end. The main character doesn't say much, but his looks and actions speak volumes. Bin Won was definitely a great choice for the role. This (un)rewarding subject has once again fallen into good hands. 5 stars.
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A revealing probe into human organ trafficking in Korea. A classic story about a tough guy, pursued by ghosts from his past, rescuing a kidnapped little girl; spiced up with Lee’s bloodthirsty interludes. The first-rate action towards the end and the uncompromising brutality balance out the rather over-sentimental beginning. And Bin Won is the spitting image of Jet Li.
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The Professional (especially the beginning), 96 Hours (especially the end), Bourne, Oldboy, Edge of Darkness, Kiss of the Dragon... All these films came to my mind while watching The Man from Nowhere. I'm not saying that's a bad thing, not at all. Although I do know that if I didn't know them, I would be at least one star more excited. So the pros: 1) An admittedly old familiar story about a man with a mysterious past who gets screwed over by the wrong guys in the wrong way... Ok, why not. At least it wasn't completely stupid. 2) Definitely the cinematography, direction and choreography of the action scenes - the final showdown on the knife really worked. 3) The main character gets a haircut.__Cons: 1) Before the main character gets a haircut, he has an incredibly idiotic haircut (sorry, Pete) and I feel like punching him. 2) The film is cruelly long and after an hour and a quarter it started to bore me (fortunately it got moving towards the end - see Pro No. 2.). 3) The little girl was terribly annoying, so actually I didn't really understand why there was any need to save something like that. 4) "POSSIBLE SPOILER" The theme of children slaving in drug production came too late - it was as if the screenwriter remembered it the day before the deadline and wanted to cram it into the film. "END OF THE POSSIBLE SPOILER".__For all this, I give it an above-average 3.5 stars. I'd round them up if I knew I'd ever watch The Man from Nowhere again. But that's not likely to happen.
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I had missed out on The Man from Nowhere had for quite a few years. It was always on my list of films I wanted to see soon, but it never quite worked out. Until now... I must admit that I was expecting a bigger dose of jaw-dropping action with no holds barred. However, the filmmakers chose a more elegant approach, making the film more intimate. The subsequent adrenaline sequences manage to surprise and engage more, as you, as a viewer, simply look forward to them. Besides the final slaughter fest, which could easily stand up to Indonesia's The Raid, the film also offers other brutally graphic moments (the truck scene is definitely the most impactful). What captivated me more was the relationship between the little girl and the main character. Although he doesn’t say much throughout the film, I grew to like his character and hoped that his plan to save her would succeed. The main antagonists were fine, and the police subplot was quite likable, though it’s a pity that the main detective didn’t receive much script attention to give his character more significance in the main storyline. You might wonder why I didn’t give it a higher rating. I would have preferred a different absolute ending... Nevertheless, it's top-notch in the genre, no doubt about that. For me, it gets 80%.
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