Director:
Stephen ChboskyGuión:
Stephen ChboskyCámara:
Andrew DunnMúsica:
Michael BrookReparto:
Logan Lerman, Emma Watson, Ezra Miller, Mae Whitman, Erin Wilhelmi, Dylan McDermott, Kate Walsh, Nina Dobrev, Paul Rudd, Johnny Simmons, Reece Thompson (más)Streaming (2)
Sinopsis(1)
Es el año 1991, y Charlie, académicamente precoz y socialmente torpe, es un marginado que se limita siempre a observar sin participar, hasta que un par de carismáticos estudiantes de último curso de su instituto lo acogen bajo su ala: La bella Sam, de espíritu libre, y su hermanastro Patrick, que no le tiene miedo a nada, guían a Charlie a través de nuevas amistades, el primer amor, el despertar de la sexualidad, fiestas sin fin, pases a medianoche de "The Rocky Horror Picture Show" y la búsqueda de la canción perfecta. Al mismo tiempo, su profesor de lengua, el Sr. Anderson lo introduce en el mundo de la literatura y suscita en él el sueño de convertirse en escritor. Pero, aunque Charlie prospera en este nuevo mundo de adultos, el dolor de su pasado (que incluye el reciente suicidio de su mejor amigo, Michael, y la muerte accidental de una querida tía suya) acecha justo bajo la superficie. Mientras sus nuevos amigos se preparan para abandonar su hogar rumbo a la universidad, el precario equilibrio de Charlie comienza a desmoronarse, y en la raíz de su tristeza encuentra una revelación sorprendente. (Entertainment One Films Spain)
(más)Videos (30)
Reseñas (11)
Nádherná, lehce, nebo vlastně hodně melancholická záležitost, takové pohlazení po duši, příjemný film vhodný k poklidnému večeru. Logan Lerman špičkový - zvláště jeho taneční kreace při Come on Eileen, takhle trapně a nejistě jsem se přesně cítil v patnácti letech. No a Emma Watson září jako v každém filmu, kde hraje. Tleskám. Come on Eileen teď v práci a doma často hraje...
Hermosa, ligeramente, o en realidad muy melancólica, una suave caricia para el alma, una película agradable adecuada para una noche tranquila. Logan Lerman es excelente - especialmente sus movimientos de baile en Come on Eileen, me sentí exactamente tan incómodo e inseguro cuando tenía quince años. Y Emma Watson brilla como en cada película en la que actúa. Aplausos. Come on Eileen suena mucho en el trabajo y en casa ahora...
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Every time I watch a romantic movie, I feel uncertain about whether I will enjoy it. And when it comes to a good film, I say to myself that the quality overshadowed the romantic dimension and it was a beautiful film. The last time it happened was with Love Actually, and this movie is another such flick. I had my doubts for the longest time, but from the second half it was clear to me that this was an example of incredible filmmaking. The emotion the movie emanated seemed incredibly real and human. That’s something I encounter only rarely and I have the feeling that the film tries to get as close as possible to the viewers and reality so that it can captivate them. It was really worth it here, because thanks to those characters, I enjoyed the film to one hundred percent. A beautiful film full of humanity and simply life shot in the best possible way. It couldn’t be any other way given that the author of the source book made the film himself. He writes it the way he wants, then he adapts it himself. Well, Chbosky is a champ. I wondered whether there was a grain of truth in his story.
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A deft mix of hipster, gay friendly teen comedy with a few surprising dramatic moments on top. A club of shelved super-smart teenagers who most of the time behave like adults, if not better, but that fits the overall feel good vibe of the film. You could say there's no pure essence of perfection, but there's no shit either, and hand on heart, when David Bowie comes on full blast in that one fateful scene, that's the fourth star. We are infinite.
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I registered The Perks of Being a Wallflower a few months back and figured I needed to see it as soon as possible. After watching it, I said, "Wonderful!". An incredibly sweet, touching and enjoyable film in all respects that gently caresses the soul and warms the heart considerably. The young actors were all great and perfectly inhabited their roles: Logan Lerman was shyness and cuteness personified in human form, Emma Watson is no longer the nerdy girl from Harry Potter for me, but the free-spirited Sam, and Ezra Miller got me perhaps even more than in We Need to Talk About Kevin (it will be interesting to see how his acting develops further). The music was impeccable, the writing was very strong (I need to read the book!), and the inclusion of my favorite (unnamed) musical was the icing on a wholesome cake that mirrors the woes and joys of a generation of teenagers dealing with real issues - not like many other teen movies. I haven't been this emotionally affected and yet pleasantly attuned within this genre in a long time.
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I didn't believe that an American teenage advert for cotton candy could have any impact on me, but this one really packed a punch. It's just another variation on a theme that's been done hundreds of times, and as the closing credits roll we find that we haven't seen anything surprising or soul-deep, but the way this story about the importance of friendship is filmed won me over and delivered several wonderful scenes that I can't get out of my head – I thoroughly enjoyed all of the confrontations between Lerman and Emma Watson thanks to their natural acting style. A little great film, there is no other way to call it. 85%
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