Director:
Taylor HackfordGuión:
John J. McLaughlinCámara:
J. Michael MuroMúsica:
David BuckleyReparto:
Jason Statham, Jennifer Lopez, Nick Nolte, Michael Chiklis, Clifton Collins Jr., Wendell Pierce, Micah Hauptman, Emma Booth, Sala Baker, Patti LuPone (más)Streaming (4)
Sinopsis(1)
Parker (Jason Statham) es un ladrón con un código ético muy particular: Sólo roba a quienes pueden permitírselo y no hace daño a gente que no lo merece. Pero tras ser traicionado por su equipo y dado por muerto, Parker asume una nueva identidad para, con la ayuda de una hermosa mujer (Jennifer Lopez), hacerse con su último botín y que sus antiguos compañeros lamenten haberse cruzado en su camino. (Entertainment One Films Spain)
(más)Reseñas (4)
Cuando no funciona en la vida real, el sol de Florida en enero es una delicia en el cine. Y a Jennifer Lopez siempre de gusto verla. Por lo demás, una película completamente normal con un argumento rancio. Hackford debe haberla elaborado, teniendo en cuenta lo bien que ha afrontado retos de género mucho más grandes en el pasado (sobre todo Pactar con el diablo).
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This old-fashioned Stark’s detective story set in the present works quite well on the level of revenge on principle, but it starts creaking with the digression toward JLo. Statham was good as always in a familiar role, the action is solid and the beautiful Florida locations save the day.
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A film with a hopelessly unpolished image. You can see it was directed by an older gentleman who lacks a killer talent and cannot turn it into either a thrilling action film or a sunny summer ride. Jason Statham's action potential is woefully underutilized, as well as the solid bad-ass feeling of the main villains. The only assets are a few solid hand-to-hand fights, surprisingly well-directed and sufficiently bloody, and Jennifer Lopez in a perfectly coordinated outfit.
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Right from the start, there's an engaging scene where clowns and a priest rob a safe. From the beginning, the nearly two-hour runtime is a bit daunting. It's clear that the film can't keep up the pace. And it doesn’t. After the first great action sequence and a pretty intense scene, it turns into a dumb comedy with J.Lo, who bends over, shows off her impressive rear end - which we've seen countless times before (and it would have been better if she were at least naked) - and then it's just about taking someone out and doing a bit of moralizing. Jason's great, but it's not enough this time.
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