Director:
Thomas VinterbergCámara:
Charlotte Bruus ChristensenMúsica:
Nikolaj EgelundReparto:
Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Lasse Fogelstrøm, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport (más)Sinopsis(1)
Tras un divorcio difícil, Lucas, de cuarenta años, ha conocido a otra mujer, tiene un nuevo trabajo y se dispone a reconstruir la relación con Marcus, su hijo adolescente. Pero algo va mal. Un detalle. Un comentario inocente. Una mentira fortuita. La nieve comienza a caer, las luces navideñas se encienden y la mentira se propaga como un virus. La sorpresa y la desconfianza crecen hasta alcanzar proporciones inimaginables, y la pequeña comunidad se sume en un estado de histeria colectiva. Lucas no tendrá más remedio que luchar en solitario para defender su dignidad y su vida. (Golem Distribución)
(más)Videos (3)
Reseñas (16)
Takové skvělé psycho drama umí kvalitně natočit snad opravdu jen Dánové. Konečně jsem se dostal k tomuto filmovému skvostu. Mám trochu zpoždění, ale uvědomoval jsem si, že na Hon musí být člověk duševně připraven a smířen s velkým a drásajícím náporem na nervy. A nervy mi pěkně cuchal tik s nosem <i>"blonďatého andílka"</i>, jejž bych teda na andílka rozhodně neoznačil. A pak se to rozjelo. Fotka na plakátě zachycuje možná nejsilnější scénu z celého filmu. Co mě nejvíc překvapilo, je, jak Vinterberg naložil s počátečním postojem Lucase a řešením celé mimořádně choulostivé záležitosti. Sám nevím, jak bych se v takové situaci choval, ale připadlo mi, že mu ta přílišná pasivita uškodila a celou situaci jen zhoršovala. Na druhou stranu tímto jeho přístupem dostal film ještě víc dramatický náboj. Dvě postavy na zabití - Grethe a obrovitý tatínek jednoho z dětí. Mikkelsen a Bo Larsen ze sebe ždímají maximum a jejich výkony jsou excelentní. Jsem hodně zvědavý na Velkou nádheru, protože si dovedu stěží představit, že by Hon mohl nějaký film umělecky předčit.
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Una obra durante la que tuve dificultad para respirar y después de ella también. Mental y emocionalmente abrumadora.
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No matter what anybody might say, Mads Mikkelsen is the most interesting and the best contemporary European actor. Each of his characters on the screen is alive. Not only alive, they’re downright breathing through the screen. In my opinion, The Hunt is the best notch on his belt that must win everyone over. I get that he took advantage of the current situation of the Danish cinema which is full of the best screenwriters and directors, but he was simply destined to be born into this very era and he made the best possible use of it due to his personality. The Hunt is a difficult movie to watch. It’s actually about a topic that is hard to talk about and just as hard to film. It’s a taboo that stirred the pot in this movie. The amazing thing is that the screenwriter apparently analyzed the human nature all his life and showed exactly what we, as human beings, are capable of doing and what we are not capable of doing. After an absurd discovery, Mads transforms with each single second of this movie and the viewer drowns in a depression that will leave you restless. That’s exactly what movies are about. About emotions and feelings that each of us should think about regularly. The Hunt managed to do that, and I must say that it is one of the few movies that aren’t afraid to reveal the truth hidden somewhere in the corner of each of us.
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Little Klara deserves an educational blow with an axe to the nape of her neck. The film can arouse the emotions of the viewer, mainly the negative ones, but it didn’t fascinate me as much as I wanted. In a couple of scenes the script felt overworked (for instance, how the testimony of a girl retold word for word by other people changes from "something indefinite" to a "clear accusation of harassment" - nice, but I felt the very purpose of it). The ending is strong, even though my horror-oriented self waited all the time for a proper exploitation “hunt”.
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A calm Nordic winter, a five-year-old femme fatale, and me, unaware of the plot or anything else, sitting in my seat in the movie theater, and knowing that in six months I am to become a teacher too. It’s pure in terms of the genre to the point where words about sliding on the surface come to mind, yet it cuts under the skin like few things have in recent memory. I haven't felt my throat this tight in a long time.
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Galería (34)
Foto © Cinemart
![La caza - De la película - Anne Louise Hassing, Mads Mikkelsen, Thomas Bo Larsen, Daniel Engstrup, Sebastian Bull Sarning](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/014/419/14419509_50777f.jpg)
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