Director:
Maja MilosGuión:
Maja MilosCámara:
Vladimir SimicReparto:
Isidora Simijonovic, Vukasin Jasnic, Sanja Mikitisin, Jovo Maksic, Monja Savic, Katarina Pesic, Sonja Janicic, Jovana Stojiljkovic, Vladimir Gvojic (más)Sinopsis(1)
Jasna, una adolescente de Belgrado, vive una situación desagradable en casa; su padre está enfermo en cama, siempre pelea con su hermana y su madre. Su tío, que vive en Qatar, le manda un teléfono móvil con cámara, con el que grabará fiestas con sus amigas, alcohol, violencia, drogas, y sexo. (ND Mantarraya)
Reseñas (8)
An explicit testimony about a generation of shared narcissism that obscures very human motives - fear of death, closeness, intimacy. A de facto more radical version of Fish Tank, in which the author does not try to stylize the emptiness in any way, but lets it resound in the raw and coldly dead ubiquity of a filming mobile phone. The assumption that this is just an empty controversy reveals a certain immaturity of the viewer - the inability to perceive acute content in social and psychological contexts. Under a crust of stupid lascivious hits and sweaty blowjobs in toilet stalls, we have a very universal story about maturation and fragility, which is disguised by familiar poses. An excellent debut of a director who has something to say.
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Auténtico, bien interpretado, sexualmente abierto - pero sin el objetivo de enseñar el sexo. Las escenas de sexo construyen la relación de la pareja central que se inicia y que se vuelve más interesante en la segunda mitad de la película. El trasfondo familiar del personaje principal es más aburrido, la película se ralentiza en lugar de añadir otra dimensión. Una película sincera y distintiva, pero menos llamativa en comparación con Kids, sin un remate fuerte que la hiciera inolvidable.
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Muy difícil de evaluar la película y entiendo las reacciones contradictorias, los comentarios y las valoraciones desde basura hasta cinco estrellas. Leí varios comentarios y me llamó la atención el de premyslm, probablemente representante del distribuidor checo. Estoy de acuerdo con él en que la República Checa y Serbia son igualmente cercanas y distantes, y que la directora logró, a través de una forma extremadamente naturalista y cruda, representar el mundo cruel de la juventud actual influenciada por las tecnologías modernas. Sin embargo, me pregunto si las escenas explícitas no eran demasiado y si al menos se podría haber capturado un poco de Belgrado en colores más alegres. Esto es solo la opinión de un entusiasta viajero que le gustaría visitar Belgrado y esta película definitivamente no sería un anuncio de "Visite Belgrado" :)
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Pretty good actors for a porno… :-D // The moral, yeah, I get it, but it could have been shorter, or there could have been more of “it”. Clip was boring, and I will leave the praise to the scholars.
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For some people this is practically porn, for others a chilling testimony; for me, it's equally far from both. After a few shocked reactions, I was almost expecting another A Serbian Film in terms of explicitness, and Clip reveals enough purposefully and sporadically. But I wouldn't exaggerate with the testimony aspect, either. Although we encounter similarly minded groups of sexually awakened teenagers every day on the street, for me the whole plot of the central couple and their (dis)connection is terribly exaggerated and overdone, maybe so everyone will realize that this is really a warning and an important film. That's why I still don't know for sure whether the main character had trust issues or was simply a selfish idiot. My greatest appreciation is therefore for the fact that even during the repetitive alternating of endless shots and domestic depression, Maja Miloš didn't lose my attention.
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The Little Big World of the Young Jasnic, or a Teenager's Journey to Find Love, Self-Realization, Self-Knowledge and Coping with a Difficult Family Situation. Or those who do not find something of themselves in it have not lived. And if you don't have your entire youth filmed on your cell phone, then not at all. And Milica Pavlovic is a real exclusive.
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Have you seen "A Serbian Film"? Did you not like its naturalism? In that case, do not watch "Klip". "Klip" is definitely not a film from the porn industry, there is no pedophilia here, although you could doubt the age of the main protagonist. Even though the film is called "Klip", do not expect a music video. It is not a short film with fast cuts, "Klip" is called that because the main character has to capture everything on a mobile phone. It's as if life that is not captured on a phone does not exist. Everything that is captured has meaning, it doesn't matter if it is a moment when her boyfriend is simply standing or when she is giving him oral pleasure, which according to his own words is not very impressive. We observe sexual intercourse quite explicitly here, the penis is visible in several scenes. The girl undresses, but that is nothing compared to when she tries to please, when she acts like an obedient little dog. She will do anything to be with him. She doesn't care so much about love, she probably doesn't even know what it really is. She needs someone to be with her, she doesn't care how. She herself cannot come to terms with how difficult life is, with her father dying. If you are a mother or father of a similarly aged daughter, you will probably say that you are lucky not to have one like her. And if you do... I wish you a lot of patience. Interesting films are blowing in from Serbia, and I must say that both "A Serbian Film" and "Klip" are not superficially exploitative films, there is an idea hidden within them. More: http://www.filmovy-denik.cz/2012/10/klip-muj-strycek-6-bullets-kdyz-se.html
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The superlatives related to how authentic, evocative, unprecedentedly explicit, or urgent it is in parallel with today's online world are justified, Clip offers a very biting insight into the world of teenagers that is in no way unrealistic or over the top. If the goal was to be provocative, I think it succeeded – perhaps some filmmakers will rethink the way they think about their 15-year-olds (and 14- and 13-year-olds) after watching this strictly family film, but that won't be the only message of this Serbian rawness. Clip is an alarming statement about a world in which "little kids" are searching for themselves, and because they rarely feel true love and support in their families, they naturally find support and a kind of spiritual fulfilment in drugs, alcohol, loveless sex, and a world of never-ending parties. I'm not saying it's a perfect film, but it serves its purpose more than respectably.
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