Director:
Brad PeytonCámara:
Steve YedlinMúsica:
Andrew LockingtonReparto:
Dwayne Johnson, Alexandra Daddario, Carla Gugino, Colton Haynes, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Kylie Minogue, Vanessa Ross, Morgan Griffin (más)Streaming (6)
Sinopsis(1)
El argumento gira en torno al personaje de Ray, un piloto de helicóptero de rescate quien, tras desencadenarse un terremoto de magnitud 9 en la falla de San Andrés que destruye California, se dispone a viajar desde Los Ángeles hasta San Francisco para salvar a su única hija. En medio del infierno en el que se ha convertido la ciudad, Ray no solamente tratará de rescatar a su hija, sino a toda la gente que le necesite en el camino. (Warner Bros. España)
(más)Videos (14)
Reseñas (13)
Quizás nadie esperaba que los Warner hicieran una contribución tan revolucionaria y libre de clichés al género. Y también el ingenio y la perspicacia de Emmerich, donde Roland es el rey. Los personajes están bien, a diferencia de En el ojo de la tormenta del año pasado. E incluso mejor que en el Poseidón. Así que está bien, es un trabajo decente sin fallas ni sorpresas.
()
The Americans tend to shoot a disaster movie once in a while, cry their eyes out and show Americanism in its harshest form. And they usually take down Los Angeles or San Francisco. It lies on two tectonic plates, so it’s strongly fitting for a similar movie. For many decades now. Fortunately, San Andreas doesn’t deviate from the standard and performs solid popcorn entertainment, which is supported by Hulk Dwayne and solid CGI. It’s almost a surprise that a similarly tuned movie wasn’t made by Emmerich, but by the talented Peyton instead, because he massacred the surroundings very well.
()
It's actually awful bollocks, but Dwayne Johnson is a likeable guy, Carla Gugino and Alexandra Daddario are very nice to look at, and there's always something going on. Sometimes that's all I need.
()
The Rock is cool, no doubt about it. Otherwise, this is just a bunch of terrible, boring clichés, dull dialogue, amateurish acting and overwrought CGI; just everything I hate so heartily about the current mass production of the dream factory. And three people wrote the script for this? This shows that some professions in Hollywood are even easier than receiving welfare. I never thought I'd say this, but I miss Emmerich!
()
My guess is that the screenplay was rewritten six times which, as a result, is not able to maintain even a hint of consistency / escalation in both storylines (family / seismologist). Horrible dialogues, rubber acting, tricks that can be bought for 100 million today, amusement park directing. For 4DX cinema, it can work as a tech demo. I am giving the film a single star just for its hint of an interesting ideological storyline, in which the almost shocking selfish concentration of the man responsible for saving others on his family plays a role. There has not been such a strictly individualistic disaster film for a long time that would place the restoration of America purely on the shoulders of capable individuals who fight only their private wars. Unfortunately, even this factor is there purely for laughter. This movie as broken as the world it depicts. The earthquake comes as a divine punishment when the characters have nothing more to say. And that's basically the case all the time with San Andreas. On my Richter scale of nonsense, it’s a pure ten.
()
Anuncio