Director:
Kei-fung ToCámara:
Siu-keung JengMúsica:
Xavier JamauxReparto:
Hong-lei Sun, Louis Koo, Crystal Huang Yi, Yun-xiang Gao, Wallace Chung Hon-leung, Guangjie Li, Tao Guo, Ching Li, Hai-peng Lu, Eddie Cheung, Gordon Lam (más)Sinopsis(1)
Manufacturing just fifty grams of meth in China will earn you a death sentence. Timmy Choi (Louis Koo) has manufactured tons, and after a violent lab accident, he's in the custody of Captain Zhang (Sun Honglei). Now, he has only one chance to avoid execution: turn informant and help Zhang's undercover team take down the powerful cartel he's been cooking for. But as the uneasy allies rush to execute a months-long operation in just a few days, the increasingly desperate police are quickly stretched past their limits. As things spin wildly out of control, the line between duty and recklessness is blurred, and it becomes unclear whether Zhang or Choi actually has the upper hand.
Long considered the master of the Hong Kong crime thriller, Johnnie To's first mainland production eschews "two guns at once" mayhem in favor of atmosphere and a tightly-wound plot punctuated with impeccably choreographed bursts of startlingly realistic violence, in this intricate puzzle box of a film that ignited a firestorm of controversy in its homeland upon its release.
(Well Go USA Entertainment)
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Reseñas (3)
If you hate those movie shootouts where the rivals never kill each other, watch this. Here they fall like flies. Overall it’s a very good, brisk thriller. No risk of boredom.
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The poster is excellent. It sets the ground for an uncompromising crime story with a relentless policeman on one side and a criminal who has to cooperate whether he wants to or not, on the other side. The result? The Asians have already showed us similar crime movies, for example with the film Internal Affairs, so they should have some experience. However, for me, the relationship of the two was just not believable. The drug dealer snitched something, then there was some fuck up, he admitted to not saying everything, the police threatened him with death, he started crying and started talking. There were countless moments like this in the film. The scene with drug overdosing is quite good, but the final shoot off looks like it was happening on a playground. In a Chinese film I wouldn’t expect to see such differences in quality.
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A darn long shift for a provincial narcotics unit. For To, a surprisingly toned-down, raw, realistic, dark and the first movie I’ve seen by him where “style and form above all else" applies; unusually he chose a Mannesque style and approach, so it centers on atmosphere and what goes unsaid between the characters on opposite sides of the barricades. Simply a very well-made variation on Heat with all the trimmings. The problem is the final twenty minutes which would so love to be something like a shootout in the street like in Heat, but instead turns into classic To-ism. Hitherto intelligent characters suddenly begin behaving like dumb asses. Don’t get me wrong, the shootout is entertaining, uncompromising and stylish. It’s just that it comes from a completely different movie.
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