Director:
Richard ShepardGuión:
Richard ShepardCámara:
Giles NuttgensMúsica:
Rolfe KentReparto:
Jude Law, Richard E. Grant, Demián Bichir, Emilia Clarke, Kerry Condon, Nathan Stewart-Jarrett, Madalina Diana Ghenea, Jumayn Hunter, Deborah Rosan (más)Streaming (2)
Sinopsis(1)
Jude Law interpreta a Dom Hemingway, un hábil y arrogante ladrón de cajas fuertes, que también es muy listo, está muy perturbado y rebosa una exultante energía. Después de doce años en prisión, Dom, acompañado de su compinche Dickie (Richard E. Grant), se dispone a cobrar lo que le deben por mantener la boca cerrada y no delatar a su jefe, Mr. Fontaine (Demián Bichir). Tras sentir muy cerca la muerte, Dom intenta recuperar el contacto con su hija (Emilia Clarke), de la que se ha distanciado, pero pronto se ve de nuevo inmerso en el único mundo que conoce, con el fin de saldar la última deuda. (20th Century Fox España)
(más)Reseñas (4)
An interesting film with a colourful vocabulary. The biggest upside is Jude Law's overacting and lots of interesting wordplay. The very opening scene where Jude Law gives a five minute monologue extolling his genitalia during oral sex is for me one of the best scripted comedic notches. Nicely paced, decently shot. It's unusual and captivated me for a weak four stars. 70%.
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Jude Law really did go all out in Dom Hemingway. He did so in an almost theatrical manner. The fact that he is crazy has to be counted on. But the wackiness exceeds even biblical proportions at times, and Dom becomes more of a Homer than a gangster, which I didn’t really like. I cannot say that the movie is downright bad. Definitely not. Some scenes are really worth it, for example, the crash. But the crash is also the most significant evidence of what bothered me about this movie. Dom Hemingway is simply unique and watching every next minute of his life was definitely worth it. But I wouldn’t last a minute in his proximity.
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Formally, Dom Hemingway is a follower of the classic British junkie-punk scene, i.e. lots of "walking" takes in extreme long shots to keep the surrounding streets in focus and the mood of most outside influences elusive. The protagonist, however, is the most purely elusive of the lot; he is indeed a walking screenwriting construct (an obviously uneducated boor, but one who incidentally references and metaphorizes cultural works in his flowery monologues) who has no equivalent in the real world, indeed it's in everyone's best interests that he doesn't, but he still makes you nervous the entire time. Too bad about the last act, when all the praise over how it avoids the classic post-prison release themes proves premature and the film presents the usual quest for forgiveness and redemption. This is thankfully despite the hero remaining a bastard forever. "They banned it, smoking." "In a pub? You can’t smoke in a fucking pub?" "Bad for your health." "Being a cunt is bad for your health."
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Jude Law demonstrates just how interesting of an actor he truly is, portraying a genuinely despicable character who, for me, was more tolerable than James McAvoy's character in Filth. Especially the first half got me hooked because Jude was truly repulsively irresistible here. The story itself didn't seem all that exceptional to me later on, and in the end, I didn't really care how it turned out.
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