Director:
Alejandro González IñárrituGuión:
Guillermo ArriagaCámara:
Rodrigo PrietoMúsica:
Gustavo SantaolallaReparto:
Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero, Vanessa Bauche, Humberto Busto, Rosa María Bianchi, Adriana Barraza (más)Streaming (2)
Sinopsis(1)
Ciudad de México. Un accidente de coche involucrará a tres personas mostrándoles el lado más perro de la naturaleza humana. Octavio, enamorado de la mujer de su hermano, quiere escaparse con ella. Para conseguir el dinero que necesita se introduce en el peligroso mundo de las peleas ilegales de perros. Por otra parte, Valeria, una bella modelo, ha de enfrentarse a la nueva vida que le espera después de resultar brutalmente herida. El éxito y la felicidad de su vida anterior se transforman en dolor y sufrimiento. Finalmente, un misterioso mendigo, el Chivo, que se gana la vida como asesino a sueldo, revive su pasado a partir de un encargo que recibe. (Filmax)
(más)Videos (2)
Reseñas (10)
A debut that, despite having a few errors, as a whole is an excellent affair and mainly shows great promise for the future. If it weren’t for certain inconsistencies in the characters’ fates and no rising tension in the story, there isn’t much to criticize. In acting terms perfect, the screenplay marvelous and the director brilliant. Slightly disappointing that Iñárritu gives you the strongest moments right at the very beginning of the picture, but it doesn’t reduce the huge quality of Amores Perros overall.
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A nasty, dirty, violent and depressive film, just as I like them. The plot is not as complex as the director’s second film (21 Grams), but it’s a lot more effective nonetheless. Amores Perros consists of three intertwined stories, each with a completely different atmosphere, which together deliver a holistic and very intense emotional load. Very recommended.
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I consider the first story to be an example of perfect filmmaking craftsmanship and I considered Alejandro González Iñárritu a genius while I watched it, someone whom I would confidently entrust any subject because his visual ideas and alternation of contrasts are absolutely flawless. My enthusiasm faded after the remaining two stories, which are not bad, just not as disturbing or captivating for the viewer's senses as the first one, and instead focus on gradual psychological development of the characters. Unfortunately, most of the time it's a bit too gradual, and almost tedious.
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Just like Denmark has Lars Von Trier and Sweden has Lasse Hallström, Mexican cinema also has its number one: Alejandro Gonzalez Iñárritu. He has maintained his directorial style even in Hollywood, and that was the key to his success. But here it bothered me with an excessive running time. The technical execution, on the other hand, it's a blast again.
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