Director:
Camille DelamarreCámara:
Christophe ColletteMúsica:
Alexandre AzariaReparto:
Ed Skrein, Ray Stevenson, Loan Chabanol, Radivoje Bukvic, Gabriella Wright, Tatiana Pajkovic, Wenxia Yu, Noémie Lenoir, Lenn Kudrjawizki, Samir Guesmi (más)Streaming (1)
Sinopsis(1)
Frank Martin (Ed Skrein) es el mejor transportador de dinero que puedas contratar. Utilizando una tecnología mejor, tiene tres sencillas reglas que siempre aplica: no cambiar nunca el acuerdo, sin necesidad de nombres y nunca abras el paquete en cuestión. Todo se complicará cuando descubra que su última clienta, una femme fatale llamada Anna, se la ha jugado. Ha secuestrado a su padre (Ray Stevenson) para poder extorsionarlo y que acabe con una despiadada mafia rusa que trafica con personas. Impulsado por la venganza, se embarcará en un emocionante viaje por la Costa Azul francesa. (DeAPlaneta)
(más)Reseñas (5)
Costa Azul, las modelos, los Audi, los golpeadores. Sin Bayo y desde el punto de vista del guión, al nivel de Venganza 2: Conexión Estambul. Y los diálogos son aún peores.
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Sure, Statham would have pushed Skrein around, but within the "made by L.B." genre, it’s decent enough, and compared to the new Hitman, it’s literally an action Ph.D. I want a new reboot where the main character is Frank Sr.
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I just don’t get why Luc Besson felt the need to refuel The Transporter. And just formally at that. Because this has nothing to do with the original Transporter. The main character is atrocious and the story is a load of bullcrap. For example, I still don’t get why those three chicks in those blond wigs kept hanging around the transporter. But the action and fight scenes were decent. They might have been awfully overdone, but not so much as the second or the third one was. Imagine any car chase in the game series Need For Speed and you’ll understand just how very overdone they are. Everything else was a C-grade mess.
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An unbelievable mixture of routine and yawning action and a retarded semi-chick-flick where, instead of by the timid junior, the central role is played by his macho father Ray Stevenson, the only character who has at least some fuel here. Just like the Hitman restart, it’s unbelievably awkward. Delamarre is shooting a lousy commercial for Audi. Even there, they seem like boring posh cars.
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Why? I really don't understand why something like this was filmed. It has none of the narrative interest of the previous trilogy. Above all, it doesn't have Jason Statham, who is simply irreplaceable. Ray Stevenson was alright, he had one or two good scenes, and here and there it tried to look quite cool, but this is something that simply can't capture your attention.
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