Master & Commander: Al otro lado del mundo
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Capitán de mar y guerra: La costa más lejana del mundo (más)
Director:
Peter WeirCámara:
Russell BoydReparto:
Russell Crowe, Paul Bettany, Billy Boyd, James D'Arcy, Edward Woodall, Chris Larkin, Max Pirkis, Jack Randall, Max Benitz, Lee Ingleby, David Threlfall (más)Streaming (5)
Sinopsis(1)
Durante las guerras napoleónicas, el Surprise, barco de la Arma Británica del capitán Jack Aubrey (Russel Crowe) es atacado de repente por un enemigo muy superior. Con el Surprise seriamente dañado y gran parte de la tripulación herida, Aubrey, famoso por ser un capitán muy intrépido, se debate entre el deber y la amistad al emprende una persecución de alto riesgo que le llevará por dos océanos, para interceptar y capturar a su adversario. En una misión que puede decidir el destino de una nación, o destruirle a él y a sus hombres. (20th Century Fox España)
(más)Videos (2)
Reseñas (12)
Me quedé dormido en el cine durante tres películas - Juego, Batman Begins y Master and Commander. No puedo quejarme de Russell Crowe, pero no entiendo por qué se prestó a un guion tan tonto. Un barco persigue a otro por todo el mundo y al final ocurre un gran lío. Nunca más, aunque me torturaran.
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Esperes lo que esperes, obtendrás otra cosa. Master & Commander es como James Ivory en el agua. Sin grandes tramas cinematográficas, sin acción, sin grandes protagonistas. Una excursión psicológica por la vida de la tripulación de un viejo buque de guerra, sus conflictos personales y las reglas que deben seguir. La escena más esclarecedora de una película bélica sería una batalla final exitosa. Aquí se trata de una colección de insectos por un médico herido en una isla tropical. Hermosa fotografía, que retrata a los personajes con decenas de matices detallados. Russell Crowe aparece en pantalla e inmediatamente le adoras. Y desarrollarás una relación con los otros principales como si los conocieras desde hace años. Peter Weir es un director único.
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Thanks to the engaging filmmaking and realistic setting, I can safely say: I was there with them. On the ship during the storm, during the battles and during the moments of relaxation, and I was not bored at all. In the opening battle I was thrown into the whirlwind of the action, with blood, sweat and tears at my fingertips, during the scene with the crashing my ship was being tossed from side to side, and on the Galapagos I relaxed with the Doctor to the strains of the double bass and it was enjoyable. If Weir wanted to show a detailed portrait of life on an English battleship, he succeeded. If he wanted to make an adventure story, he certainly didn't miss. And certainly not with this select ensemble of actors. I believed Crowe and Bettany and their captain and doctor, respectively, every second. And by the way, do you want to know how a scarecrow can help win a naval battle? Then don't hesitate with this film.
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A perfect combination of artsy chamber piece focused on characters and “how things worked on those beautiful vessels with sails" with a simple adventure for boys about friendship and duties like out of a dime novel you read secretly during lessons. Despite having nothing whatsoever to do with the equally marvelous book the movie is based on (this is more a mixture of the first and third book with a bit from the tenth book in the Aubrey and Maturin series), this is a simply wonderful movie in its sense for historical precision, characterization of characters or nods for readers (Jack’s missing earlobe, letters to Sophia, Maturin’s “floral" waistcoat etc.) And technical aspects keep step with the content - they are the highest possible standard. The only thing that disappoints me is the non-existence of a director’s cut. As a whole twenty-four minutes of cut scenes demonstrates, not just ballast, but much high quality material was left out of the final cut.
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I can't remember the last time I found out before the movie climaxed that I had barely been breathing. It had to be a long time ago, and it had to be for a movie similar to Master and Commander. This is a wonderful callback to old times, robust filmmaking with a clear vision, precise leadership and superbly put together dramatic layers. Peter Weir has commanding skills and the steadfastness of captain Jack, but he also remains an analytical observer like Dr. Stephen. The way individual characters are built, and the way chemistry is maintained by the crew, should be in a cinematic tactics textbook. In a few minutes, a person is on board and participates in a cruise that is both informative, exciting and emotional. Moreover, Weir's typical dualities of small and large universes are reflected here, when war, politics, and science are all reflected in the relationships and conversations of the characters, without the film sliding into any exaggerated philosophizing. Everything's just right, and the dust won't get wet despite the thunderous runtime. This blew off my main mast. Huzzah! (and the second part, from what Peter Weir told us, is not utopia).
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