Director:
Nils GaupGuión:
Ravn LanesskogCámara:
Peter MokrosinskiMúsica:
Gaute StoraasReparto:
Jakob Oftebro, Kristofer Hivju, Torkel Dommersnes Soldal, Ane Ulimoen Øverli, Nikolaj Lie Kaas, Pål Sverre Hagen, Åsmund-Brede Eike, Thorbjørn Harr (más)Streaming (1)
Sinopsis(1)
Año 1206. Noruega ha sido devastada por una cruenta guerra civil. Mientras el Rey agoniza en su lecho de muerte, una nueva vida llega en el más absoluto de los secretos. Se trata del nacimiento de su hijo, Håkon, amenzado de muerte desde su primer suspiro de vida, por los enemigos de su padre. Éstos han puesto precio a la cabeza del bebé y un ejército se dispone a capturarlo. Pero no cuentan con que dos fieles soldados del rey, Skjervald y Torstein, estarán dispuestos a sacrificarlo todo para salvar a Håkon Håkonsen y convertirlo en el rey de Noruega. (Savor Ediciones)
(más)Reseñas (6)
The Norwegians have a gift of making magnificent films with American qualities, from which they are happy to take on even that national American pathos. It’s a pity that from the historical point of view there is nothing extra and the only thing that will catch audience’s attention is the skiing Viking.
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Norwegian redheads versus greasy pigs from Denmark. The story is nice. Fresh fathers will especially appreciate the traveling winter care for infants, while conservatives will appreciate Gaup's emphasis on honest historical epics. Skiers will be impressed by lessons in historical carving, a kind of 13th century Force Majeure model. It is a pity that similar emphasis is not paid to the structure of the screenplay, which sprinkles like powder. And the action scenes definitely deserve at least a little tighter supervision from the choreographer; who is supposed to watch the confused stumbling block? But the Northerner wins with me.
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Solid stuff from Norway. It's a great tactic to bring in Borg from Vikings and Tormund from Game of Thrones, they will please fans of the series. The film has decent pacing, surprisingly solid action with nice camera angles, and we don't see Vikings on skis very often after all. The finale is great. Fully adequate for a small film, and given the lack of thematic films, a four star rating is in order for me despite the poorer idea. 75%
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The two most famous Norwegian nannies lay the groundwork for contemporary cross-country skiing races in birchbark boots. I saw not only cross-country but also downhill, jumps, biathlon elements, and even horse skijoring, which explains the genetic background of Northug, Bjørndalen, and Kjetil André Aamodt! Setting aside the Winter Olympics, we’re left with some intrigue, captivating exteriors, charmingly old-fashioned action, and a fairy-tale split between the saintly Birkebeiner and the nasty Bagler. Given it was clear from the start that he wouldn’t make it to the finish, the Danish scoundrel Nikolaj Lie Kaas could have been given more screen time.
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Historically, it's not particularly great; it's like it just meets the minimum, which is dictated by the setting. Action-wise, it's quite good and gritty, which you'll probably enjoy the most about the movie. It's not downright boring in terms of plot, but it's not breathtaking either, so you can enjoy the film, but it won't necessarily leave you with many impressions.
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Visually, The Last King is virtually perfect. It just doesn't seem to me that in 1204 most Norwegians would be traversing snowy mountainsides like Aksel Lund Svindal. However, the ski chases made the already quite thrilling spectacle even more interesting. From a historical point of view, the film is not very revelatory, but the viewer gets the basic information at least in written form. (70%)
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