Director:
Paul FeigGuión:
Jessica SharzerCámara:
John SchwartzmanMúsica:
Theodore ShapiroReparto:
Anna Kendrick, Blake Lively, Henry Golding, Rupert Friend, Linda Cardellini, Andrew Rannells, Kelly McCormack, Bashir Salahuddin, Melissa O'Neil (más)Streaming (3)
Sinopsis(1)
Emily (Blake Lively) le ha pedido un pequeño favor a su mejor amiga Stephanie (Anna Kendrick): que cuide de su hijo una tarde. Cuando Emily no pasa a recoger a su hijo, Stephanie comienza a preocuparse. Stephanie buscará descubrir la verdad detrás de la repentina desaparición de Emily. (Entertainment One Films Spain)
Videos (19)
Reseñas (9)
Thriller con todas las de la ley, lamentablemente todas las sorpresas y giros ya los hemos visto innumerables veces en otro lugar, así que no impresionará a los espectadores experimentados. Sin embargo, gracias principalmente al excelente dúo Kendrick-Lively, es un espectáculo entretenido que definitivamente no aburre. Todos los demás son solo extras, estas dos jóvenes actrices dominan toda la duración.
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An inoffensive female thriller from the hard-working Paul Feig, but unfortunately for me a rip-off of the much better Gone Girl. Anna Kendrick is such a cute dork in almost every movie and I don’t mind, opposite her is Blake Lively playing a cynical bitch here and again she is insanely hot. The film is well paced, offers the occasional humorous interlude and is suspenseful in places. It also offers a few twists, but they won't surprise those who have seen Gone Girl. Too bad it was too predictable for me and it didn't offer anything violent or subversive, but I suspect it is aimed primarily at a female audience, so that's fine. As a light thriller one-shot it works. 65%
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A non-alcoholic version of Gone Girl for a less demanding or, if you want, weekend audience. The lightness and briskness is taken care of by the geeky Anna Kendrick and the sexy Blake Lively. Both are excellent, it's just the script and the plot that are questionable. That said, as a light crime-comedy it’s still bearable.
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A gripping variation on a clever female thriller, which is not lacking in a nice pile of surprises. Behind almost every completed subchapter there is a hidden hook that pulls the viewer further in, towards another fitting twist or genre change. This is mostly thanks to Anna Kendrick, who after years finally shines to the fullest in a role written for her in almost every one of those genres, even though the detective story one, which it switches into completely at the start of the third act, is definitely the weakest. As a satire, a thriller, a tale of hinted shadows from the past, and last but not least, in terms of sexiness, Kindness surpasses the highly acclaimed Gone Girl. Unlike that film, it is not afraid to be surprising and visually alive.
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I consider movies with Blake Lively my private guilty pleasures. I'll check out Darcey Bell's book, but I definitely wouldn't be interested in a thriller like this without the movie. However, as a spectacle based on the contrasting talents of Blake and Anna Kendrick, it was a treat. A treat for the eyes.
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