Director:
Tomáš PavlíčekCámara:
Jan Baset StřítežskýMúsica:
Aleš BřezinaReparto:
Ivana Chýlková, David Vávra, Jana Synková, Jan Kačer, Tereza Ramba, Jan Strejcovský, Judit Pecháček, Michael Pitthan, Václav Kopta, Zuzana Kronerová (más)Sinopsis(1)
A family has decided to sell their lovely cottage as none of them has visited it for some time. Yet it holds so many nostalgic memories that the mother suggests they all spend one last day there before the sale takes place. This deliberately paced comedy, whose protagonists often remind the viewer of characters from a Jaroslav Papoušek screenplay, takes an agreeably detached view of the Czech phenomenon of weekending in the country. (Karlovy Vary International Film Festival)
(más)Reseñas (8)
This is more than a good Czech film in quite a while... And on top of that, it's a comedy! Though cynical in the spirit of the trilogy about the Homolka family, it’s still a comedy. It balances great on that humorous-bitter edge and is full of real-feeling dialogues and beautiful scenes in different ways. All this with excellent acting (the characters are not caricatures, David Vávra and Ivana Chýlková are a great couple, poisonous Jana Synková uses her yelling to the maximum and Tereza Voříšková is cute even in a bear costume, including the fitted head) and with careful, intimate directing. The film is dedicated to “our" Honza Kastner and I believe he would like it, because he's simply not stupid.
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Una película minimalista de carácter simpático, ambientada en dos entornos y medio donde se visualizan con humor verdaderos altercados de una familia divertida, en cuya compañía seguramente alguien recordará a su propia familia (la abuela, interpretada por Jana Synková, sobresale más). La situación aprendida de la vida se complementa con una conclusión casi mística y simbólica; y el gran elenco ayuda también, donde los diálogos no son suficientes y el humor y la trama están un poco atascados: algunos motivos no están completamente resueltos (por ejemplo, la relación del hijo con una novia eslovaca) y no todos los personajes reciben el mismo cuidado (por ejemplo, el papá y el abuelo apenas tienen la oportunidad de presentarse y el personaje de la hija de un amigo alemán probablemente existe solo para explicarle al espectador cuál es el fenómeno de una cabaña checa). De otro modo, es un entretenimiento agradable y sin compromiso.
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Dnes jsem viděl tři filmy a všechny byly na tři a půl hvězdičky, ale všem jsem z různých důvodů zvedl hodnocení směrem nahoru. Chata na prodej mě oslovila nápadem-námětem-myšlenkou, přestože ji lze označit za prazvláštní snímek. Ačkoli mám moc rád Bárdos i Voříškovou, jejich postavy mě iritovaly, Chýlková s Vávrou se ztráceli a prostor si tak zabrala nejstarší generace - Synková jako typická "prudící" babička a nejlepší role Kačer, který si vystačil s cca třemi větami. Film, který vybočuje, a proto je fajn, že vznikl.
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Even though each character is driven to the absurd in this film, it is still a decent comedy based on a simple premise, which was really widespread a few decades ago. Tomáš Pavlíček used the absurdity of the characters to the limit, so aside from the actors and especially actresses being nice to look at, even the setting of the cabin was really good and on the screen it looked like a fairytale forest. When it comes to acting, the whole family entertained me, including Václav Kopta, but the most interesting for me was David Vávra, whom I was really happy to see in a film after such a long time. His acting based on intonation of his voice was a pleasure to watch… and listen to. If only we had more actors like him. Thank you for a great movie.
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A gentle cottage ballad that alternates moments of sharp observation and strenuous deadpan comedy clichés. The points are sometimes lost, but Aleš Březina's music is so playful and enticingly instructive, that when Kačer sits down, one realizes that Bear with Us can touch upon the sentiment of the family and cottage life and the tragicomic aspects of mundaneness. Solidly acted, nicely filmed and simply pleasant - like roasting a marshmallow and eating a few skittles. I’ll take it.
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Bear with Us is exactly the kind of film that critics would ideally imagine a Czech film to be. It is a tangible reminder of the 60s, and Jan Kačer even plays a symbolic role. The topic is about typical Czech wallowing in smallness and praising the phenomenon of the cottage industry. We don't know what we want, but we know exactly what we don't want. The individual episodes will surely soon go down in the golden fund. Synková's snide remarks, the now very popular Kopta jokes... the talents of people like Chýlková, Vávra or Bárdos are wasted here. The story flows, cycles, falls apart and finds itself again. It’s the ideal material for tracking during your own trip outdoors.
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Bear with Us is an intimately conceived drama that deals mainly with interpersonal relationships, both family and partner. The problems of the family members come to the surface and they deal with them in different ways. Paradoxically, the most rational character was the senile and absent-minded grandfather, brilliantly portrayed by Jan Kačer. I was also impressed by the characters of Michael Pitthan and Jana Synková, who were fortunately not as annoying as Tereza Voříšková, Judit Bárdos and Jan Strejcovský. It's a bit of a shame that the film didn't go deeper, but rather glided gently beneath the surface. In the end, this is a minimalist attempt at family drama that works at times, but rather flounders at others.
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The result was definitely better than I expected. This is not to say it was amazing, just not the standard pathetic Czech comedy I was mentally preparing myself for. It was even entertaining at times. David Vávra was perfectly matter of fact, and Jana Synková was excellent at nagging. Shame about a couple of dull moments and the slightly wasted potential of the premise. I think the film could do with a greater dose of humor.
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