Director:
Aaron SchneiderGuión:
Tom HanksCámara:
Shelly JohnsonMúsica:
Blake NeelyReparto:
Tom Hanks, Elisabeth Shue, Stephen Graham, Rob Morgan, Matthew Zuk, Casey Bond, Josh Wiggins, Michael Benz, Grayson Russell, Dominic Keating, Dave Davis (más)Streaming (1)
Sinopsis(1)
Videos (2)
Reseñas (9)
Una película bélica de ritmo rápido ambientada en el Atlántico, con un argumento mediocre que se mantiene a flote gracias a la personalidad de Hanks. Prácticamente no hay desarrollo de personajes y las situaciones y maniobras bélicas no son muy claras en ellas, pero aun así mantiene el suspense y nos recuerda el infierno que debió ser participar en ella: no dormir, no comer y tomar decisiones muy rápidas e intuitivas. De eso se trata Greyhound: Enemigos bajo el mar. Patetismo, sí, pero sutil. Para el cine el metraje y su contenido serían insuficientes, ponerlo en VOD es lo ideal.
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Tom Hanks and his ship escort an Allied convoy across the Atlantic, but lurking beneath the surface are German U-boats. How many supply ships will eventually reach their destination? Hanks delivers honest man's film that has no room for talk, but no room for any substantial character psychology either. It's full on from more or less the beginning, with ships and submarines chasing each other for over an hour straight, shooting or torpedoing all the time, and even though the visual effects aren't particularly good and it might not have been a bad idea to slow down a bit sometimes and deal with things other than combat, it's a very fine watch. Also thanks to the short running time.
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I respect that there are still filmmakers who want to explore WWII stories, but Greyhound is really just about a single ship crossing the Atlantic, being hunted by German submarines—nothing more, nothing less. Some shots were nice, others felt overly digital, but emotionally, it didn’t really grab me at all. Not even a slightly weary-looking Tom Hanks could save this one for me.
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As if, after Band of Brothers and Pacific, Tom Hanks needed to pay homage once more to the front-line heroes of World War Two. This film falls short of the parameters of a war movie for the big screen; it rather feels like an expensive TV production, with one studio, one incomplete model of the ship, a bit of wizardry with the weather, and lots and lots of greenscreen. At times it is monotonous with one order after another being barked at subordinates, but it also contains interesting ideas (to wit: the provocative radio calls of German U-boats). Hanks, who has the proper charisma of a captain, reliably keeps the picture afloat, and the torpedoes provide one moment of suspense – but overall, I’m not impressed. Das Boot isn’t dethroned by this.
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A beautifully naive old school war epic about a soldier of Christ who resists the Germans in slippers. It’s a nice idea to turn a procedural perspective on its head and see the hunt for U-boats from the other side of the surface. If Hanks forgot about the completely necessary personal and religious mess and left it as 91 minutes of action zigzagging in front of submarines, it could have been downright catchy. This way, it’s catchy and funny, but I won't pretend that it’s worth watching throughout the footage. The perfect movie for Grandpa Simpson. And also for those who like U-571 and submarine movies in general.
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