Blue Velvet
Director:
David LynchGuión:
David LynchCámara:
Frederick ElmesMúsica:
Angelo BadalamentiReparto:
Kyle MacLachlan, Dennis Hopper, Laura Dern, Isabella Rossellini, Hope Lange, Dean Stockwell, George Dickerson, Priscilla Pointer, Brad Dourif, Jack Nance (más)Streaming (3)
Sinopsis(1)
Durante un paseo rutinario por el campo, Jeffrey Beaumont (Kyle MacLachlan) encuentra una oreja cercenada. A partir de entonces, el hallazgo le conduce hacia una oscura población lleno de extraños personajes. Jeffrey entra en contacto con una bella cantante llamada Dorothy Vallens (Isabella Rossellini), dominada por Frank Booth (Dennis Hopper), un tejano asmático de temperamento irascible en el que se centran las investigaciones para esclarecer el origen de la decapitación de la oreja, un indicio de que se ha producido un brutal asesinato. (Araba Films)
(más)Videos (7)
Reseñas (8)
Muy... muy... muy... hermosa, frágil y poética historia de amor y de cómo el bien triunfa sobre el mal. Limpieza emocional y espiritual, una película de otro mundo.
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"It's a strange world, isn’t it?" Not even Mike Tyson and his sudden urge to chew on something during his fight with Holyfield could conjure up such a great film about one ownerless ear. Because Blue Velvet is basically a regular thriller. It’s just processed by Lynch’s bizarre imagination hemisphere, more moderate than usual, considerably sedated by pills. This gave rise to the most viewer-friendly Lynch movie (more than Dune and Alvin). Which doesn’t mean for a minute that it makes any sense at all. Like this review. And now who can tell me what the poet wanted to say? Maybe just that blue is simply good, in spite of the irritating over-acting from Laura Dern and Dennis Hopper. So in the end Lynch has mainly himself to thank, and Badalamenti too. I’m almost tempted to declare that the latter deserves most thanks.
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Romantic noir with tons of evidence that it's simply necessary to find your own way to Lynch. Sometimes it doesn't work out, other times it becomes an unforgettable experience. MacLachlan's naivety hand in hand with Isabella Rossellini's elusive aura created a spectacle that cannot be told, only experienced. For the highest rating, the crazy Dennis Hopper would have to slightly reduce his rocket-like temperament.
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A cinematic trance like a film by Maya Deren, but with a plot. A detective movie. Probably. Lynch knows how to titillate his viewers’ subconscious. By the end, I was convinced that the world would not be okay without a maniacal Hopper screaming “LET'S FUCK!” 85%
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Blue Velvet is somewhere between a normal film and a normal work by Lynch. If you are looking for deeper meaning, you won’t find it, because the only big thesis isn’t hidden but clearly shown, and it’s almost surprisingly banal at that. However, this banality doesn’t correspond to the film itself, which wants to look nicely perverted and weird, though, unlike Lost Highway, for instance, it’s not weird at all. A major reason for the four-star rating is Dennis Hopper in the role of a maniacal freak, he plays a non-small part in making the film as interesting as it is.
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