Director:
Mike FlanaganGuión:
Mike FlanaganCámara:
Michael FimognariMúsica:
The Newton BrothersReparto:
Ewan McGregor, Rebecca Ferguson, Kyliegh Curran, Cliff Curtis, Carl Lumbly, Zahn McClarnon, Emily Alyn Lind, Bruce Greenwood, Jocelin Donahue, Alex Essoe (más)Streaming (4)
Sinopsis(1)
Doctor Sueño es la continuación de la historia de Danny Torrance 40 años después de su aterradora estancia en el Hotel Overlook en El Resplandor. Dan Torrance lucha por encontrar algo de paz a pesar de seguir irremediablemente marcado por el trauma que sufrió de niño en el Hotel Overlook. Pero esa paz se quiebra cuando conoce a Abra, una valiente adolescente dotada de un poderoso don extrasensorial, conocido como el "resplandor”. Abra reconoce instintivamente que Dan comparte su poder y, desesperada, le pide ayuda para enfrentarse a la despiadada Rose the Hat y a sus seguidores, The True Knot, que se alimentan de los niños que poseen el don del resplandor en su búsqueda de la inmortalidad. Dan y Abra forman una extraña alianza y emprenden una batalla a vida o muerte contra Rose. La inocencia de Abra y su valor a la hora de aceptar su resplandor obligan a Dan a recurrir a sus propios poderes como no lo había hecho nunca. Deberá enfrentarse a sus miedos a la vez que revive los fantasmas del pasado. (Warner Bros. España)
(más)Videos (8)
Reseñas (14)
A great adaptation, faithful enough to the book to please its fans, and different enough for it to tie in with the end of Kubrick’s movie. McGregor is excellent as Danny, but the sexy Rebecca Ferguson’s performance as Rose the Hat is just heaven. Much better than in the book. The climax at the hotel, logically different from the book, is a playful variation on the original Shining, with an ending that closes the circle.
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I figured out the thing had always bothered me subconsciously about The Shining, that basically it is not about that “shining” in the title. In Kubrick’s film, it feels like a mythological element quite inorganically incorporated into an ordinary and simple horror film about people living in a haunted hotel. I bet that nine out of ten people asked to briefly retell The Shining wouldn’t mention that Danny is “special”. Compared to that, Doctor Sleep has a rich mythology set in a universe I would like to return to discover other stories that may be taking place. Warner really failed at selling the film, the trailers left me quite underwhelmed, but in the end, I think this’s been one of the most pleasant horror surprises of this year. And, for the second year in a row, Mike Flanagan has significantly improved the year’s horror balance, clever boy. I like how Doctor Sleep connects to The Shining in a meaningful way, while still being a different film which, with only minor changes, would perfectly work on its own. For a horror film, it’s not afraid to have copious footage, it’s not afraid to use snares or to avoid relying on jump-scares, and nor is it afraid to be nasty and uncompromising in many ways.
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A very different film compared to The Shining. I've heard it sticks closer to the book, though I haven’t read it myself. You can feel the difference right from the atmosphere — while The Shining leans more into psychological horror, Doctor Sleep drifts towards a sort of mysterious fantasy. It makes sense, though, given Stephen King’s style. Once I adjusted to this shift, I really enjoyed watching Ewan McGregor and Rebecca Ferguson, especially with the film’s nods to the original classic. Mike Flanagan was the perfect choice to helm this sequel; his respect for The Shining is clear, and the subtle callbacks are a real treat.
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Doctor Sleep might put you to sleep! Mike Flanagan tries his best, but once again I was not pleased. I find his films terribly uninteresting. This one is a direct sequel to The Shining after 40 years and introduces the main character played by Ewan McGregor (the boy in The Shining) who follows in the footsteps of the True Knot cult who suck the souls out of dead victims. Filmed decently, both Ewan and Rebecca Ferguson, playing the villain, are solid. The music is also good, fans of the first film will be pleased with the many references and the finale is quite intense. But the film is not scary, suspenseful, brutal and certainly not entertaining, I haven't seen such a slow film in the cinema for a long time. I'm personally not a big fan of The Shining either, so this story and mythology doesn't do anything for me and actually doesn't interest me much. I don't want to put it off completely, fans of The Shining will probably enjoy it and IMDB praises it as well, so it's not a dud, more like nothing for me. 55%
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A difficult to adapt yet incredibly good work by Stephen King. If the screenplay were to strictly follow the structure of the original, half of the running time would be devoted to AA meetings. I therefore understand why Mike Flanagan focused much more on Abra and Rose because their storylines are far more cinematic (albeit not too personal), but poor Danny remains a secondary character. Considering that it necessarily had to follow on the film version of The Shining and less so on the book, the ending is surprisingly strong, more terrifying in terms of its logic, and respectfully faithful to the source material, despite some changes (including the biggest) being frustrating at first. From a story about overcoming one's own shadow, something different has emerged: a horror movie that is not afraid to avoid cheap scares and only uses the atmosphere to pay homage.
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