Director:
Michael MannGuión:
Michael MannCámara:
Dante SpinottiMúsica:
Elliot GoldenthalReparto:
Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Diane Venora, Amy Brenneman, Dennis Haysbert, Ashley Judd, Mykelti Williamson, Wes Studi, Ted Levine (más)Streaming (3)
Sinopsis(1)
Neil McCauley (Robert De Niro) es un experto ladrón. Su filosofía consiste en vivir sin ataduras ni vínculos que puedan constituir un obstáculo si las cosas se complican. Su banda la forman criminales profesionales tan cualificados que pueden incluso impresionar al detective Vincent Hanna (Al Pacino), un hombre que vive tan obsesionado con su trabajo que llega a poner en peligro su vida sentimental. Cuando la banda de McCauley prepara el golpe definitivo, y el equipo de Hannah se dispone a evitarlo, cada uno de ellos comprende que tiene que vérselas con la mente más brillante a la que se ha enfrentado en su carrera. (Warner Bros. España)
(más)Videos (1)
Reseñas (12)
El enfrentamiento de dos personalidades fuertes en lados opuestos de la ley, si pudieran jugar para el mismo equipo, serían invencibles. Al Pacino y Robert de Niro demuestran interpretaciones fascinantes y, a pesar de la duración prolongada, el espectador no se aburre ni piensa en el aburrimiento.
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A three-hour gem full of star actors! Few people can make a film that is so kinetic, energetic, desperate, riveting, blunt and brilliant with such a simple story. Al Pacino, Robert De Niro and Val Kilmer give perhaps the best acting performances of their careers. However, it is disappointing to see a very overlong running time and insufficient space for the female cast – Ashley Judd and little Natalie Portman – but I am satisfied. A solid olds-chool flick. 80%.
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A thrilling film where I didn’t mind the excessive runtime. De Niro and Al Pacino are reunited in a movie after a long time and it's worth it. A brilliant mix of action and a kind of subtly psychological portrait of two standing on the opposite side of the law, but who have respect for each other and something in common. Some passages are based on real events, e.g. the pivotal scene of DeNiro and Pacino's conversation in the restaurant actually happened. Heat is one of the best films of the 1990s.
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An unassuming action crime film that delves into the psyche of the characters down to the smallest detail, giving strong meaning to even the smallest scene and allowing the tension to build to unbelievable levels. And who do you root for? With a persistent shiver down my spine, perhaps both of them. The moment when Neil sees Vincent approaching on the sidewalk is a bombshell that had me trembling with anticipation throughout the second half. Heat is the first open victory of Michael Mann's civilian form and enduring sense of immediate interaction with the plot. I gotta hold on to my angst. I preserve it because I need it. It keeps me sharp, on the edge, where I gotta be.
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I love this. A famously created script that does not divide good and evil. The antipodes have the greatest understanding for each other, and the viewer does not necessarily take a stand based on morality and incompatible principles. Two demonic outcasts, completely committed to their mission. Coincidentally, they are aiming weapons at each other. Mann carries the film with his precise directing, which has an incredibly captivating pace and timing of dramatic climaxes. The final scene is minimalist, brilliant. A precisely tuned soundtrack. Perfect cast in every detail and the appropriate acting performances. Everything works: the action, the psychology, and the plot. If you want a good crime drama, this is it.
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