Sinopsis(1)

Él no debería haber estado allí. Pero en el momento en el que el hijo de Michael Sullivan presencia un brutal asesinato, las vidas de este niño de 12 años y de su padre, gángster, quedan alteradas irrevocablemente y sus destinos unidos para siempre. Perseguido ahora por la banda a la que ha dedicado su vida, Sullivan y su hijo se encuentran en un lugar sin salida, bajo el asedio implacable de un sádico asesino. En esta lucha por proteger la vida de su hijo, el gángster descubrirá el verdadero valor del honor... (20th Century Fox España)

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Reseñas (14)

POMO 

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español Una película muy bonita con una actuación y una fotografía excelentes. Pero los elogios terminan ahí. Para que Camino a la perdición fuera una película de gánsteres al nivel de Los padrinos, tendría que prestar más atención a la relación Paul Newman / Tom Hanks. Y la atmósfera sombría no debe romperse con ningún humor. Así que es más bien una especie de Un mundo perfecto de Eastwood, perfumada con American Beauty y rematada con un clímax exagerado. Y el esquema argumental tampoco la ayuda. Yo tenía la frase «he was my father» en la boca antes de que el pequeño Sullivan la pronunciara. ()

gudaulin 

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inglés Based on the successful comic book series by Max Allan Collins. With his film American Beauty, Sam Mendes raised expectations among critics and fans to such a level that he couldn't meet them, no matter how hard he tried. From my perspective, after careful consideration, I prefer Road to Perdition. Sure, in terms of choosing the subject matter, it was an obvious safe bet, but there was also a calculation with American Beauty, albeit a more subtle one. Mendes's gangster film is a compact piece in every way, with perfect cinematography, a strong story, and charismatic characters. Comparing Road to Perdition with what I've seen in the past year, I have no choice but to increase my rating to five stars. Overall impression: 90%. ()

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DaViD´82 

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inglés Or: How Even the Most Direct Road to Perdition Can Lead to Movie Perfection. A visually indescribably atmospheric watch. Precise acting, perfect camerawork and faultless and inventive directing. Sam Mendes filmed so far the most faithful adaptation of a comic book to come to the movie screen so far. Although the storyline is simple, that’s where its strength lies. It could be criticized for being a wonderful shiny load of nothing about father and son finding a way to each other, but that’s not the feeling I get from this. Quite the contrary, for one thing, the scene in the rain is now in my top ten best scenes ever. It just has everything. From emotions, through marvelous production design, immense atmosphere to the actors. And the entire movie is like that, just perhaps not so intense all the while. And that’s pretty good, don’t you think? ()

EvilPhoEniX 

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inglés I thought my taste was only oriented towards horror and Asia, this film confirms that my favorite subgenre is also gritty gangster films. Once again, an excellent cast, I've never had my fingers crossed for Tom Hanks like I did here, and as soon as the psychopathic Jude Law appears on the scene you wish him the worst from the first second. I definitely have to highlight the amazingly dark retro style, the intelligent story and the awesome soundtrack, even a tear dropped towards the end. Everything is actually flawless, nothing can be faulted. ()

novoten 

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inglés The best film of Sam Mendes and an absolute top in the gangster genre. The atypical casting of Hanks as a dark hero is an ideal counterpart to Newman's tragic boss, and his journey, fearlessly mowing down enemies led by perfectly slimy Law, is additionally captured by an amazing camera (see the unforgettable arrival in Chicago) and supported by impressive music. An underrated film. ()

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